• Photo from "Chopin's Europe" courtesy Hanna Komarnicki
    16 Nohant Typical Berry Country Road - Nocturne in C Minor, 1847 [KK 1233-5] AG
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    Fryderyk Chopin's initials embellish the gate at The Hermitage -- formerly the Museum of the Chopin Festival -- where, in the summer of 1826, the Chopin family came to the spa at Duszniki "to take the waters."
    Chopin's Warsaw No. 2
  • Nohant Manor -- Garden Entry from "Chopin's Europe" courtesy MUZA, SA and Hanna Komarnicki
    william-kapell-recital
    Tribute to Chopin
    Chopin Project Educational Outreach
    Hexameron Image
    Poppies over Burma
  • dancers
    Chopin Nocturnes Op. 48 Title page
    CHOPIN-PLANET
    Nohant Window 2 [96]
    OP 9 No 2 Cover
    03 Springtime at Nohant Manor Small

The Waltz, c. 1806

Hear Artistic Director Arthur Greene play this brilliantly conceived Waltz in A-flat (Op. 42) live in a Chopin Project performance.

Chopinmusic calls it “the most ambitious and substantial of all Chopin’s waltzes.”

The Vancouver Chopin Society goes even further, quoting David Dubal in suggesting that this “Grand Valse” is the essence of Chopin:

A case may be made for the Op. 42 as Chopin’s most perfect valse. After the first measures of trill, a call to the dance, there is a melody with a rare lilt composed in double time, with the triple time of the waltz in the left hand. Schumann remarked that “like his earlier waltzes it is a salon piece of the noblest kind.” The composition, Schumann feels, should be danced to only by “countesses at least.” This waltz is the most demanding technically of the series.

Chopin’s official title for the piece is the Grande Valse Nouvelle pour le piano, Op. 42. There’s a fascinating detail of its publication history available at Chopin First Editions Online.