• Hexameron Image
    CHOPIN-PLANET
    Chopin's Warsaw No. 2
    dancers
    fachadas
    william-kapell-recital
  • Chopin Nocturnes Op. 48 Title page
    Poppies over Burma
    Nohant Manor -- Garden Entry from "Chopin's Europe" courtesy MUZA, SA and Hanna Komarnicki
    Tribute to Chopin
    OP 9 No 2 Cover
    Nohant Window 2 [96]
  • Photo from "Chopin's Europe" courtesy Hanna Komarnicki
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    Fryderyk Chopin's initials embellish the gate at The Hermitage -- formerly the Museum of the Chopin Festival -- where, in the summer of 1826, the Chopin family came to the spa at Duszniki "to take the waters."
    16 Nohant Typical Berry Country Road - Nocturne in C Minor, 1847 [KK 1233-5] AG
    Chopin Project Educational Outreach

Chopin Broadcasts:

Waltz in A-flat, Op. 69, no. 1 “L’Adieu”
Performance Today – American Public Media

Today’s edition of Performance Today – the most popular classical-music show in the USA – will feature a performance from The Chopin Project: Chih-Long Hu‘s live interpretation of Chopin’s Waltz in A-flat, Op. 69, no. 1 “L’Adieu”

Produced and distributed by American Public Media, Performance Today is broadcast on 245 public radio stations across the country and is heard by about 1.1 million people each week. Each station individually decides what time to air the program. To find out where and when to hear Performance Today, check out publicradiofan, an independent website that is an excellent guide to online streaming of US public radio stations. You’ll also be able to hear the show on the Performance Today website for up to seven days after the broadcast.

Chopin News, Views, and Reviews:

Rudolf Firkusny, piano = SCHUBERT: Three Pieces, D. 946; MARTINU
Audiophile Audition – USA

Review of a BBC Legends CD featuring the renowned Czech pianist in a 1980 London recital at Queen Elizabeth Hall: “If Firkusny wanted to be Vladimir Horowitz, he could be.”

The Chopin and Smetana offerings play as encores. The Op. 63 Mazurka is the pearl of the set of three–what Cortot called an exquisite, aristocratic dream–Firkusny’s touch is a mite pesant, but the natural lilt and grace of the shifting accents retain their innate, mesmeric charm.

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