The Piano Music of Fryderyk Chopin – from the Studio of Arthur Greene
Posted in Arthur Greene, Nocturnes on Aug 24th, 2010
Always a favorite, now a rarity. This just released Chopin Project single performed by William Kapell gold medalist, Arthur Greene, is an unusual edition of one of Chopin’s most beloved compositions, his Nocturne in E-flat Major, Op. 9, No. 2.
So…
Posted in Arthur Greene, Etudes, Nocturnes, Performances on Aug 27th, 2008
Chopin Project Artistic Director Arthur Greene calls Chopin’s last nocturne a curious, but moving, work:
“It is rarely played. Its absolute simplicity of texture may lead performers to experiment with ornamentation, but I believe that it is an expression of Chopin’s new…
Posted in Arthur Greene, Etudes, Performances on Apr 10th, 2008
Smack-dab in the middle of Chopin’s Op. 25 Etudes lies this unique and memorable piece that is unlike any other Chopin creation. And one that has generated…
Posted in Arthur Greene, Waltzes on Mar 6th, 2008
Hear Artistic Director Arthur Greene play this brilliantly conceived Waltz in A-flat (Op. 42) live in a Chopin Project performance.
Chopinmusic calls it “the most ambitious and substantial of all Chopin’s waltzes.”
The Vancouver Chopin Society goes even further, quoting David Dubal…
Posted in Arthur Greene, Mazurkas, Recordings on Mar 4th, 2008
As Chopin Project Artistic Director Arthur Greene heads off to Novi Sad, Serbia, to judge and perform in the Isidor Bajic Memorial Competition, he leaves us a taste of his masterful Chopin interpretation with this performance of the Mazurka in C-sharp minor,…
Posted in Arthur Greene, Chopin Currency, Chopin Project, Elton John, George Sand, Mazurkas, Nocturnes, Novi Sad (vocal group), Tadeus Majewski, Videos, Vladimir Ashkenazy, asteriods, fiction on Mar 1st, 2008
Chopin Performance of the Day: A Chopin Rarity from Chopin Project Artistic Director Arthur Greene:
“The Nocturne in E-flat, Op. 9 No. 2 comes from around 1830, -after Chopin had left Warsaw forever. But the version I’m playing here has a bit of…
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