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	<title>The Chopin Project &#187; Impromptus</title>
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		<title>Impromptu No. 2 in F-sharp, Op. 36:  Merely a &#8220;Drawing-Room Trifle?&#8221;</title>
		<link>http://www.chopinproject.com/2008/07/20/impromptu-no-2-in-f-sharp-op-36-a-drawing-room-trifle/</link>
		<comments>http://www.chopinproject.com/2008/07/20/impromptu-no-2-in-f-sharp-op-36-a-drawing-room-trifle/#comments</comments>
		<pubDate>Sun, 20 Jul 2008 14:45:07 +0000</pubDate>
		<dc:creator>bkr</dc:creator>
				<category><![CDATA[Impromptus]]></category>
		<category><![CDATA[Noel McRobbie]]></category>
		<category><![CDATA[Performances]]></category>
		<category><![CDATA[Chopin Early Editions]]></category>
		<category><![CDATA[Musicology]]></category>
		<category><![CDATA[publishers]]></category>
		<category><![CDATA[sheet music]]></category>

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		<description><![CDATA[<p><a rel="attachment wp-att-538" href="/2008/07/20/impromptu-no-2-in-f-sharp-op-36-a-drawing-room-trifle/impromptuno2/"><img class="size-medium wp-image-538 alignright" title="impromptuno2" src="http://chopinproject.com/wp-content/uploads/2008/07/impromptuno2-231x300.jpg" alt="Wessel Edition Cover page: Chopin\'s Impromptu No. 2" width="238" height="309" /></a> For years one of the knocks on Chopin&#8217;s music is that he was a &#8220;ladies&#8217; composer,&#8221; spinning out his piano pieces for the sighing, swooning denizens of Parisan salons, the result being that his remarkable compositions were often trivialized or&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-538" href="/2008/07/20/impromptu-no-2-in-f-sharp-op-36-a-drawing-room-trifle/impromptuno2/"><img class="size-medium wp-image-538 alignright" title="impromptuno2" src="http://chopinproject.com/wp-content/uploads/2008/07/impromptuno2-231x300.jpg" alt="Wessel Edition Cover page: Chopin\'s Impromptu No. 2" width="238" height="309" /></a> For years one of the knocks on Chopin&#8217;s music is that he was a &#8220;ladies&#8217; composer,&#8221; spinning out his piano pieces for the sighing, swooning denizens of Parisan salons, the result being that his remarkable compositions were often trivialized or marginalized.</p>
<p>According to the <a title="Cambridge Companion to Chopin" href="http://www.cambridge.org/catalogue/catalogue.asp?ISBN=9780521477529" target="_blank">Cambridge Companion to Chopin</a>, the composer hated the association:</p>
<blockquote><p><em>&#8220;Chopin enjoyed elegant feminine company, but he had harsh views of the fawning of his &#8216;adoring women.&#8217; He himself used the phrase &#8216;music for the ladies&#8217;, but unhappily he meant it disparagingly. Another association with the salon was the &#8217;sentimental drawing room composer&#8221; &#8211; the &#8217;superficial genius&#8217; &#8211; and the appellation was encouraged by a self-imposed limitation of meidum, but the connotations of small forms, and by the description titles assigned to his music by publishers&#8230;&#8221;</em></p></blockquote>
<p>One publisher in particular who drew Chopin&#8217;s ire was a London-based German entrepreneur named <a title="Chopin's Publishers - University of Chicago" href="http://www.lib.uchicago.edu/e/su/music/musex.html#Case%2011" target="_blank">Christian Rudolph Wessel.</a> As you can see by the cover page, above, (courtesy of the fantastic <a title="Chopin Early Editions" href="ttp://chopin.lib.uchicago.edu/gsdl/cgi-bin/library?e=d-000-00---0chopin--00-0-0-0prompt-10---4---Document---0-1l--1-en-Zz-1---50-home---001-001-1-0utfZz-8-0&amp;a=q" target="_blank">Chopin Early Editions</a> site at the University of Chicago) the publisher issued Chopin&#8217;s marvelous Impromptu No. 2 in a series he called &#8220;Les Agrémans au Salon&#8221; &#8212; loosely translated as &#8220;Drawing-Room Trifles.&#8221; With &#8220;friends&#8221; like that&#8230;.<a href="http://chopinproject.com/wp-content/uploads/2008/07/mcrobbiepiano.jpg"><br />
</a></p>
<p><strong>Nowadays, Chopin&#8217;s Impromptus are a robust staple of the concert hall. Hear pianist <a title="Noel McRobbie biography" href="http://chopinproject.com/the-complete-program/the-chopin-project-participants/noel-mcrobbie/" target="_blank">Noel McRobbie</a></strong> perform Chopin&#8217;s Impromptu No. 2 in F-sharp Major, Op. 36, in a concert performance at the University of Michigan&#8217;s Britton Recital Hall.</p>
<p>Download the sheet music from the <a title="Chopin: Impromptu No. 2, Op. 36: Download sheet music" href="http://www.pianosociety.com/cms/index.php?action=download_resource&amp;id=240&amp;module=resourcesmodule&amp;src=%40random47751bee2dc44" target="_blank">Piano Society web site</a>. <a title="Sheet Music Plus - Chopin Introduction &amp; Bolero" href="http://www.sheetmusicplus.com/pages.html?cart=342225001129329303&amp;target=smp_detail.html%26sku%3DIM.3593&amp;s=pages-http%253A//www.google.com/search%253Fq%253Dchopin%252Bintroduction%252B%252526%252Bbolero%2526ie%253Dutf-8%2526oe%253Dutf-8%2526aq%253Dt%2526rls%253Dorg.mozilla%253Aen-US%253Aofficial%2526client%253Dfirefox-a&amp;e=/sheetmusic/detail/IM.3593.html&amp;t=&amp;k=&amp;r=wwws-err5" target="_blank"></a></p>
<ul class="iconlist">
<li class="play"><a onclick="doSomething(154);" href="javascript:void(0);">Listen to Impromptu No. 2, Op. 36 by Fryderyk Chopin </a></li>
<li class="sheetmusic"><a href="http://www.sheetmusicplus.com/title/Impromptus/3764876?id=438485" target="_blank">Download sheetmusic for Impromptu No. 2, Op. 36 by Fryderyk Chopin</a></li>
</ul>
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		<title>The Chopin Currency: April 22, 2008</title>
		<link>http://www.chopinproject.com/2008/04/22/the-chopin-currency-april-22-2008/</link>
		<comments>http://www.chopinproject.com/2008/04/22/the-chopin-currency-april-22-2008/#comments</comments>
		<pubDate>Tue, 22 Apr 2008 13:56:00 +0000</pubDate>
		<dc:creator>bkr</dc:creator>
				<category><![CDATA[Alex Kobrin]]></category>
		<category><![CDATA[Ballades]]></category>
		<category><![CDATA[Chopin Currency]]></category>
		<category><![CDATA[Dang Thai Son]]></category>
		<category><![CDATA[Fantaisie-Impromptu]]></category>
		<category><![CDATA[Gilmore Festival]]></category>
		<category><![CDATA[Impromptu (movie)]]></category>
		<category><![CDATA[Impromptus]]></category>
		<category><![CDATA[Ingrid Fliter]]></category>
		<category><![CDATA[Nocturnes]]></category>
		<category><![CDATA[Richard Goode]]></category>

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		<description><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_b_dlOeYMnhU/SA82r1ZxVMI/AAAAAAAAAVE/dSPLvzuhG3I/s1600-h/FliterNYT.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_b_dlOeYMnhU/SA82r1ZxVMI/AAAAAAAAAVE/dSPLvzuhG3I/s320/FliterNYT.jpg" alt="" id="BLOGGER_PHOTO_ID_5192429022078915778" border="0" /></a><br /><span style="font-size:180%;"><span style="font-style: italic;">Chopin News, Reviews, and Previews:</span></span></p>
<p>
</p><p style="width: 600px;"> <a style="color: blue;" href="http://www.nytimes.com/2008/04/22/arts/music/22flit.html?ref=music" target="_blank"> Pianist Born to the Colors of <b>Chopin</b></a><br /><span style="font-size:-1;"><span style="color:#666666;">New York Times &#8211; United States</span></span></p>
<p style="width: 600px;"></p>
<p style="width: 600px;"><span style="font-size:-1;"><br /><span style="font-style: italic;font-size:100%;" ><span style="font-family:arial;">Veteran New York Times critic Bernard Holland isn&#8217;t thrilled about <a href="http://www.ingridfliter.com/">Ingrid Fliter</a>&#8217;s Beethoven and Schubert, but is charmed by her Chopin:</span></span></span></p>
<p style="width: 600px;"><span style="font-size:-1;"><br />
<blockquote><span style="font-size:100%;">The Ingrid Fliter who appeared&#8230;</span></blockquote></span></p>]]></description>
			<content:encoded><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_b_dlOeYMnhU/SA82r1ZxVMI/AAAAAAAAAVE/dSPLvzuhG3I/s1600-h/FliterNYT.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_b_dlOeYMnhU/SA82r1ZxVMI/AAAAAAAAAVE/dSPLvzuhG3I/s320/FliterNYT.jpg" alt="" id="BLOGGER_PHOTO_ID_5192429022078915778" border="0" /></a><br /><span style="font-size:180%;"><span style="font-style: italic;">Chopin News, Reviews, and Previews:</p>
<p></span></span>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.nytimes.com/2008/04/22/arts/music/22flit.html?ref=music" target="_blank"> Pianist Born to the Colors of <b>Chopin</b></a><br /><span style="font-size:-1;"><span style="color:#666666;">New York Times &#8211; United States</span></span></p>
<p style="width: 600px;"></p>
<p style="width: 600px;"><span style="font-size:-1;"><br /><span style="font-style: italic;font-size:100%;" ><span style="font-family:arial;">Veteran New York Times critic Bernard Holland isn&#8217;t thrilled about <a href="http://www.ingridfliter.com/">Ingrid Fliter</a>&#8217;s Beethoven and Schubert, but is charmed by her Chopin:</span></span></span></p>
<p style="width: 600px;"><span style="font-size:-1;"><br />
<blockquote><span style="font-size:100%;">The Ingrid Fliter who appeared after intermission was a different person. She was born to play Chopin, and she knows it. The colors are many and subtle, the range of loud to soft is unusually various, and she has the sensibility for Chopin’s graceful, linear give-and-take. The pieces were the Nocturne in B and the B minor Piano Sonata. <a href="http://topics.nytimes.com/top/reference/timestopics/organizations/m/metropolitan_opera/index.html?inline=nyt-org" title="More articles about the Metropolitan Opera.">The Met</a> Museum’s audience liked both very much.</span></p></blockquote>
<p><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.nytimes.com/2008/04/22/arts/music/22flit.html%3Fref%3Dmusic" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"> <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_b_dlOeYMnhU/SA85lVZxVNI/AAAAAAAAAVM/3Qxh5RBY_U0/s1600-h/Kobrin_-_piano.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_b_dlOeYMnhU/SA85lVZxVNI/AAAAAAAAAVM/3Qxh5RBY_U0/s320/Kobrin_-_piano.jpg" alt="" id="BLOGGER_PHOTO_ID_5192432208944649426" border="0" /></a><a style="color: blue;" href="http://www.montgomeryadvertiser.com/apps/pbcs.dll/article?AID=/20080421/NEWS/80421029" target="_blank"> Cliburn Gold Medal winner&#8217;s performance &#8220;impeccable&#8221;</a><br /><span style="font-size:-1;"><span style="color:#666666;">Montgomery Advertiser &#8211; Montgomery,AL,USA</span></span></p>
<p style="width: 600px;"><span style="font-style: italic;font-family:arial;" >Meanwhile, a Montgomery (Alabama) critic finds the Beethoven and Chopin performances by  <a href="http://www.cliburn.org/">Van Cliburn Competition</a> winner<a href="http://www.alexkobrin.com/"> Alex Kobrin</a> to be  indistinguishable, which is a good thing&#8230;</span></p>
<p style="width: 600px;">
<blockquote><p>Six Chopin pieces followed – the heroic G minor “Ballade” to start this section, the dramatic F minor “Ballade” to end it, and in between four “Impromptus,” the last of which was the familiar “Fantasie-Impromptu” best known for its lyrical second theme.</p>
<p>For a gold medal winner, there is no need to comment on technique. It was impeccable as expected. But what distinguished this pianist was his thoughtful approach to every phrase. In the most cerebral, expressive phrases he slowed the tempo but never lost the intensity of those phrases and found significance in each note. He saved speed for the most impassioned sections.</p>
<p>His program showed a special affinity for the Romantics, drawing flowing melodies and dramatic climaxes from both Beethoven and Chopin. Both composers had much the same style in Kobrin’s playing.</p></blockquote>
<p><span style="font-size:-1;"><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.montgomeryadvertiser.com/apps/pbcs.dll/article%3FAID%3D/20080421/NEWS/80421029" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span>
</p>
<p style="width: 600px;"> <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_b_dlOeYMnhU/SA89LlZxVOI/AAAAAAAAAVU/3xCUfdrrr3k/s1600-h/dangthaison.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp0.blogger.com/_b_dlOeYMnhU/SA89LlZxVOI/AAAAAAAAAVU/3xCUfdrrr3k/s320/dangthaison.jpg" alt="" id="BLOGGER_PHOTO_ID_5192436164609529058" border="0" /></a><a style="color: blue;" href="http://english.vietnamnet.vn/lifestyle/2008/04/779483/" target="_blank"> Phuong Nam to release 13 albums by pianist Dang Thai Son</a><br /><span style="font-size:-1;"><span style="color:#666666;">VietNamNet Bridge &#8211; Hanoi,Vietnam</span></span></p>
<p style="width: 600px;"><span style="font-style: italic;font-family:arial;" >Vietnamese press agency announces the release of the biography and a baker&#8217;s dozen of recordings by Vietnamese favorite-son pianist, (winner of the 1980 Chopin Competition) as he prepares  to return to his hometown of Ho Chi Minh City&#8230;<br /></span></p>
<p style="width: 600px;"><span style="font-size:-1;"><span style="font-family:georgia;"><br />
<blockquote>
<p style="margin: 0in 0in 0pt;" align="left">Victor Entertainment permitted Vietnam’s Phuong Nam Film to release this collection. These are high-quality products which bring listeners poetic melodies by Tchaikovsky and romantic rhythms by Mendelssohn, Liszt, the sophistication of Ravel, and especially, immortal melodies by Chopin, whose music works account for around nine of the 13 CDs.</p>
<p style="margin: 0in 0in 0pt;" align="left">
<p style="margin: 0in 0in 0pt;" align="left"></p>
<p style="margin: 0in 0in 0pt;" align="left">For the first time, the book “A pianist loved by Chopin – the Dang Thai Son story”, published by Yahama Music Media Corporation in Japan in 2003, will be published in Vietnam. The book’s author is Japanese journalist Ikuma Yoshiko, who loves the Vietnamese pianist’s music.</p>
<p style="margin: 0in 0in 0pt;" align="left"></p>
<p style="margin: 0in 0in 0pt;" align="left">
<p style="margin: 0in 0in 0pt;" align="left"><a href="http://en.wikipedia.org/wiki/Dang_Thai_Son">Dang Thai Son</a> is the first Asian artist to win first prize at the Concours Chopin and the pianist holds the highest number of sub-prizes in the history of this music award. American pianist Isaac Stern (1920-2001), who received a Grammy for lifetime achievement in 1987, said Dang Thai Son is a musical genius.</p>
</blockquote>
<p></span><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://english.vietnamnet.vn/lifestyle/2008/04/779483/" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"> <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_b_dlOeYMnhU/SA8_plZxVPI/AAAAAAAAAVc/sNklOhop-1Y/s1600-h/goode_voyager.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 219px; height: 219px;" src="http://bp0.blogger.com/_b_dlOeYMnhU/SA8_plZxVPI/AAAAAAAAAVc/sNklOhop-1Y/s320/goode_voyager.jpg" alt="" id="BLOGGER_PHOTO_ID_5192438879028860146" border="0" /></a><a style="color: blue;" href="http://blog.mlive.com/kalamazoo_gazette_extra/2008/04/richard_goodes_gilmore_festiva.html" target="_blank"> Richard Goode&#8217;s Gilmore Festival Prelude recital worth the wait <b>&#8230;</b></a><br /><span style="font-size:-1;"><span style="color:#666666;">Kalamazoo Gazette &#8211; MLive.com &#8211; Kalamazoo,MI,USA</span></span></p>
<p style="width: 600px; font-style: italic; font-family: arial;">Goode plays great Chopin (among other things) at <a href="http://www.thegilmore.org/">the Gilmore</a>&#8230;.</p>
<p style="width: 600px;"><span style="font-size:-1;"><br />
<blockquote><span style="font-size:100%;">Nocturne in C Minor, Op. 48, No. 1, was first of several Chopin works. Goode&#8217;s playing here showed superlative use of dynamics and miraculous control of octave runs. Of four Chopin Mazurkas performed, the E Minor, Op. 41, No. 2, most engaged the large audience by virtue of an ingratiating mellow effect. [...]<br /></span><span style="font-size:100%;"><br />Three final Chopin pieces ended the program. Scherzo No. 4 in E Major, Op. 54, was my favorite. Goode invested drama in a work that featured a steady thematic line surrounded by bustling musical ornaments. Goode&#8217;s quick hands gloriously executed chromatic runs and challenging arpeggios. The other pieces, fine overall, were blemished by Goode&#8217;s stomping foot. The encore &#8212; what else?: another Chopin &#8220;bijou.&#8221;</span>
<p><span style="font-size:100%;">Goode&#8217;s greatest strength was a consummate ability to convey beautiful musical sense, without injecting a performer&#8217;s egoistic detractions.</span></p>
</blockquote>
<p></span></p>
<p style="width: 600px;"><span style="font-size:-1;"><a href="http://news.google.com/news?hl=en&amp;ncl=http://blog.mlive.com/kalamazoo_gazette_extra/2008/04/richard_goodes_gilmore_festiva.html" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p><span style="font-size:180%;"><span style="text-decoration: underline; font-style: italic;"></span><span style="font-style: italic;">Chopin in the Blogosphere:</span> </span>
<p style="width: 600px;"><a style="color: blue;" href="http://blogcritics.org/archives/2008/04/21/072509.php" target="_blank"> </a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_b_dlOeYMnhU/SA9A4VZxVQI/AAAAAAAAAVk/yppV9GHVwIQ/s1600-h/piazcard.jpeg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 152px; height: 197px;" src="http://bp3.blogger.com/_b_dlOeYMnhU/SA9A4VZxVQI/AAAAAAAAAVk/yppV9GHVwIQ/s320/piazcard.jpeg" alt="" id="BLOGGER_PHOTO_ID_5192440231943558402" border="0" /></a><a style="color: blue;" href="http://blogcritics.org/archives/2008/04/21/072509.php" target="_blank">Cultured Tangos</a><br /><span style="font-size:-1;"><span style="color:#666666;">Blogcritics.org &#8211; Aurora,OH,USA</span></span></p>
<p style="width: 600px;"><span style="font-style: italic;font-family:arial;" >Yesterday it was Enrique Granados being called &#8220;The Brazilian Chopin.&#8221;   Today a Blogcritics magazine writer likens Chopin to Argentinian tango-master Astor Piazzolla&#8230;</span></p>
<p style="width: 600px;"><span style="font-style: italic;font-family:arial;" ></span></p>
<blockquote><p>It may be that in musical retrospect, from a luxury of twenty-twenty critical hindsight, that <span style="font-weight: bold;">Astor Piazzolla will be seen as having done in the twentieth century for the tango what Frederick Chopin did in the nineteenth for the waltz.</span> It is perhaps already an accepted position. With the waltz, Chopin took an established popular form and stretched its boundaries so that what an audience might have expected to be a little ditty was recast to express heroism, sensuality, pride, or even occasional doubt. The little dance tune then, in Chopin&#8217;s slender hands, became an elegant art form, highly expressive, utterly Romantic in its ability to convey human emotion&#8230;.</p></blockquote>
<p><span style="font-size:-1;"><a href="http://news.google.com/news?hl=en&amp;ncl=http://blogcritics.org/archives/2008/04/21/072509.php" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span>
<p style="width: 600px;"><a style="color: rgb(0, 0, 255);" href="http://dickonedwards.co.uk/diary/index.php/archive/fun-with-chopin/" target="_blank"><br /></a></p>
<p style="width: 600px;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_b_dlOeYMnhU/SA9GTlZxVRI/AAAAAAAAAVs/PjBYJd8PL4Q/s1600-h/impromptu.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp0.blogger.com/_b_dlOeYMnhU/SA9GTlZxVRI/AAAAAAAAAVs/PjBYJd8PL4Q/s320/impromptu.jpg" alt="" id="BLOGGER_PHOTO_ID_5192446197653132562" border="0" /></a><a style="color: rgb(0, 0, 255);" href="http://dickonedwards.co.uk/diary/index.php/archive/fun-with-chopin/" target="_blank"> Fun With <b>Chopin</b></a></p>
<p style="width: 600px;"><span style="font-style: italic;font-family:arial;" >The planned Chopin marathon on BBC Radio 3 prompts a Brit blogger&#8217;s musings on Chopiniana&#8230;</span></p>
<p style="width: 600px;">
<blockquote><p>I ask him if he’s seen the romantic comedy <a href="http://www.imdb.com/video/screenplay/vi1687224601/">Impromptu</a>, starring a pre-Richard Curtis Hugh Grant as the consumptive composer:<br /><a href="http://uk.imdb.com/title/tt0102103/"><br />http://uk.imdb.com/title/tt0102103/</a></p>
<p>It’s one of my favourite movies that people haven’t heard of. The director is James Lapine, better known for the original stagings of Sondheim musicals like Sunday In The Park With George and Into The Woods, and it has the same sense of anachronistic wit in a period setting, not least Judy Davis’s constant exclamation of ‘Balls!’</p>
<p style="width: 600px;">In fact, it ties in with my theme of the other day &#8211; a romance between a butch woman (Ms Davis as the cross-dressing novelist George Sand) and a fragile, stuttering man with floppy hair (guess who). Add Emma Thompson as a dim aristocrat, and Mandy Patinkin in funny, swaggering Princess Bride mode, and it’s something of a gem. How much of the Chopin history is correct I have no idea, but I’d say the film could be compared with Moulin Rouge and the BBC version of Casanova (the one with David Tennant), in eschewing period accuracy in favour of unabashed fun.<br /><span style="font-size:-1;"><br /><span style="color:green;"> <a style="color: green;" href="http://dickonedwards.co.uk/diary" title="http://dickonedwards.co.uk/diary" target="_blank"> Diary at the Centre of the Earth &#8211; http://dickonedwards.co.uk<wbr>/diary </a></span></span> </p>
</blockquote>
<p><a class="a2a_dd addtoany_share_save" href="http://www.addtoany.com/share_save#url=http%3A%2F%2Fwww.chopinproject.com%2F2008%2F04%2F22%2Fthe-chopin-currency-april-22-2008%2F&amp;title=The%20Chopin%20Currency%3A%20April%2022%2C%202008"><img src="http://www.chopinproject.com/wp-content/plugins/add-to-any/share_save_171_16.png" width="171" height="16" alt="Share"/></a> </p>]]></content:encoded>
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		<title>Impromptu in A-flat, Op. 29 No. 1</title>
		<link>http://www.chopinproject.com/2008/02/23/impromptu-in-a-flat-op-29-no-1/</link>
		<comments>http://www.chopinproject.com/2008/02/23/impromptu-in-a-flat-op-29-no-1/#comments</comments>
		<pubDate>Sat, 23 Feb 2008 22:20:43 +0000</pubDate>
		<dc:creator>bkr</dc:creator>
				<category><![CDATA[Impromptus]]></category>
		<category><![CDATA[Olga Kleiankina]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[classical]]></category>
		<category><![CDATA[piano]]></category>

		<guid isPermaLink="false">http://chopinproject.com/?p=245</guid>
		<description><![CDATA[<p><a href="http://www.chopinproject.com/wp-content/uploads/2008/02/Olga71.jpg"><img class="alignright size-medium wp-image-1255" title="Olga7" src="http://www.chopinproject.com/wp-content/uploads/2008/02/Olga71-300x200.jpg" alt="" width="300" height="200" /></a>Today the Chopin Project spotlight falls on Russian-born Michigan pianist <a title="Olga Kleiankina biography" href="/the-complete-program/the-chopin-project-participants/olga-cleianchina/">Olga Kleiankina</a>, performing the First Impromptu (in A-flat, Op. 29, No. 1) by Chopin. By its very title “Impromptu” is <em>supposed</em> to mean just that — just a perky, playful little&#8230;</p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.chopinproject.com/wp-content/uploads/2008/02/Olga71.jpg"><img class="alignright size-medium wp-image-1255" title="Olga7" src="http://www.chopinproject.com/wp-content/uploads/2008/02/Olga71-300x200.jpg" alt="" width="300" height="200" /></a>Today the Chopin Project spotlight falls on Russian-born Michigan pianist <a title="Olga Kleiankina biography" href="/the-complete-program/the-chopin-project-participants/olga-cleianchina/">Olga Kleiankina</a>, performing the First Impromptu (in A-flat, Op. 29, No. 1) by Chopin. By its very title “Impromptu” is <em>supposed</em> to mean just that — just a perky, playful little ditty that <a class="answerlink" href="http://www.answers.com/topic/fryderyk?nafid=22">Fryderyk</a> would dash off at the keyboard without a lot of forethought or consideration. The reality is, of course, anything but that! Chopin’s Impromptus are eternally popular, and devilishly difficult to pull off. Olga Kleiankina adds, “<em>I felt a lot of pressure preparing for these concerts and was more than a little anxious. But the audiences were very warm, and it turned out to be such a pleasure. Even though I didn’t happen to play any major works, (many of them were almost unknown, in fact!), I came to love all my pieces, and I felt the audience did too. Even though they were miniatures, I felt that each one was perfectly organized from the very inside &#8211; in a way, a microcosmos….part of the transcendental world of Chopin’s imagination.”</em></p>
<p><strong>Hear pianist <a href="http://chopinproject.com/the-complete-program/the-chopin-project-participants/olga-cleianchina/" target="_blank">Olga Kleiankina</a></strong><strong> </strong>play this Impromptu in A-flat, Op. 29, No. 1 before an appreciative <a class="answerlink" href="http://www.answers.com/topic/ann-arbor?nafid=22">Ann Arbor</a> audience.</p>
<p>And <a title="Chopin Impromptus" href="http://www.chopinmusic.net/en/works/impromptus/" target="_blank">read more about the Impromptus </a>on Chopinmusic.net</p>
<ul class="iconlist">
<li class="play"><a onclick="doSomething(95);" href="javascript:void(0);">Listen to Impromptu in A-flat, Op. 29 No. 1 by Fryderyk Chopin </a></li>
<li class="sheetmusic"><a href="http://www.sheetmusicplus.com/title/Impromptus/3764876?id=438485" target="_blank">Download sheetmusic for Impromptu in A-flat, Op. 29 No. 1 by Fryderyk Chopin</a></li>
</ul>
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		<title>The Chopin Currency &#8211; Feb. 11, 2008</title>
		<link>http://www.chopinproject.com/2008/02/11/the-chopin-currency-feb-11-2008/</link>
		<comments>http://www.chopinproject.com/2008/02/11/the-chopin-currency-feb-11-2008/#comments</comments>
		<pubDate>Mon, 11 Feb 2008 12:56:00 +0000</pubDate>
		<dc:creator>bkr</dc:creator>
				<category><![CDATA[Ballades]]></category>
		<category><![CDATA[Catherine McKay]]></category>
		<category><![CDATA[Charles Foreman]]></category>
		<category><![CDATA[Chopin Currency]]></category>
		<category><![CDATA[Garrick Ohlsson]]></category>
		<category><![CDATA[Hugh Grant]]></category>
		<category><![CDATA[Impromptus]]></category>
		<category><![CDATA[Nocturnes]]></category>
		<category><![CDATA[Omar Soffan]]></category>

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		<description><![CDATA[<p><span style="font-style: italic;">Chopin News, Reviews, and Previews:</span>
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<div style="font-family: sans-serif;">
<p style="width: 600px;"> <a style="color: blue;" href="http://www.nytimes.com/2008/02/11/arts/dance/11limo.html?ref=dance" target="_blank"> Restoring Luster to Two 20th-Century Dance Legends</a><br /><span style=""><span style="color: rgb(102, 102, 102);">New York Times &#8211; United States</span><br />These mazurkas are danced to <b>Chopin</b>; Limón choreographed them after his company had enjoyed huge success in Poland, where he had visited the home of&#8230;</span></p></div></div></div></p>]]></description>
			<content:encoded><![CDATA[<p><span style="font-style: italic;">Chopin News, Reviews, and Previews:</span>
<div id="1exz" class="ArwC7c ckChnd">
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<div style="font-family: sans-serif;">
<p style="width: 600px;"> <a style="color: blue;" href="http://www.nytimes.com/2008/02/11/arts/dance/11limo.html?ref=dance" target="_blank"> Restoring Luster to Two 20th-Century Dance Legends</a><br /><span style=""><span style="color: rgb(102, 102, 102);">New York Times &#8211; United States</span><br />These mazurkas are danced to <b>Chopin</b>; Limón choreographed them after his company had enjoyed huge success in Poland, where he had visited the home of <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.nytimes.com/2008/02/11/arts/dance/11limo.html%3Fref%3Ddance" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.polskieradio.pl/thenews/culture/?id=75566" target="_blank"> Pianist Ohlsson gets standing ovation</a><br /><span style=""><span style="color: rgb(102, 102, 102);">Thenews.pl &#8211; Warsaw,Poland</span><br />He played two pieces by <b>Chopin</b> as encores. The winner of the <b>Chopin</b> Competition in Warsaw in 1970, Ohlsson is a frequent visitor to Polish concert halls. <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.polskieradio.pl/thenews/culture/%3Fid%3D75566" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.dailynewstribune.com/news/x1589216008" target="_blank"> Keys to success</a><br /><span style=""><span style="color: rgb(102, 102, 102);">Daily News Tribune &#8211; Waltham,MA,USA</span><br />By Jeff Gilbride/Daily News staff For pianist Omar Soffan, the haunting melodies of <b>Chopin&#8217;s</b> &#8220;Nocturnes&#8221; changed his life. &#8220;I first played piano when I was <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.dailynewstribune.com/news/x1589216008" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.scoop.co.nz/stories/CU0802/S00106.htm" target="_blank"> ‘The Singularity’</a><br /><span style=""><span style="color: rgb(102, 102, 102);"><a href="http://scoop.co.nz/" target="_blank">Scoop.co.nz</a> &#8211; New Zealand</span><br />By Afterburner Catherine McKay is more accustomed to mastering <b>Chopin</b> and arpeggios, than taking on acting roles. McKay expects her first acting role to be <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.scoop.co.nz/stories/CU0802/S00106.htm" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.signonsandiego.com/news/features/20080210-9999-1a10piano.html" target="_blank"> Music Society buys a piano: It&#8217;s harder than you think</a><br /><span style=""><span style="color: rgb(102, 102, 102);">San Diego Union Tribune &#8211; United States</span><br />1, Bach&#8217;s “Goldberg Variations,” <b>Chopin&#8217;s</b> Concerto in E Minor and Mozart&#8217;s Piano Concerto in A Major, K. 488. The one composition he played on every <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.signonsandiego.com/news/features/20080210-9999-1a10piano.html" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p><span style="font-size:78%;"><span style="font-style: italic;">Chopin in the Blogosphere:</span><br /><b></b></span></p>
<p style="width: 600px;"> <a style="color: rgb(0, 0, 255);" href="http://nightmareworld.blogspot.com/2008/02/chopin-maybe.html" target="_blank"> <b>chopin</b> maybe</a><br /><span style=""> <span style="color: rgb(102, 102, 102);">By Joe(Joe) </span><br />The <b>Chopin</b> performance at the university last night was good. It was by Charles Foreman, if that means anything to anyone. One of the two nocturnes he played was especially nice, and I want to get the sheet for it, and set it as the <b>&#8230;</b><br /><span style="color:green;"> <a style="color: green;" href="http://nightmareworld.blogspot.com/" title="http://nightmareworld.blogspot.com/" target="_blank">  &#8211; http://nightmareworld.blogspot<wbr>.com/ </a></span></span> </p>
<p style="width: 600px;"> <a style="color: rgb(0, 0, 255);" href="http://identitygang.com/2008/02/10/impromptu/" target="_blank"> Impromptu</a><br /><span style=""> <span style="color: rgb(102, 102, 102);">By admin </span><br />She drifts between the despair of being married and the despair of her freedom, searching for the happiness which can only be found in <b>Chopin</b>’s (Hugh Grant) love. Along the way, she makes her own rules just as she does within their <b>&#8230;</b><br /><span style="color:green;"> <a style="color: green;" href="http://identitygang.com/" title="http://identitygang.com" target="_blank"> The Identity GANG &#8211; http://identitygang.com </a></span></span> </p>
<p style="width: 600px;"> <a style="color: rgb(0, 0, 255);" href="http://atticfox.wordpress.com/2008/02/10/impromptu-deux/" target="_blank"> Impromptu Deux</a><br /><span style=""> <span style="color: rgb(102, 102, 102);">By Kim S. Clune </span><br />This post is in response to a classmate who believes that French author Madam George Sand (Judy Davis) in James Lapine’s 1991 film Impromptu, is ”attracted to <b>Chopin</b> [(Hugh Grant)] because she unconsciously learned to be more feminine <b>&#8230;</b><br /><span style="color:green;"> <a style="color: green;" href="http://atticfox.wordpress.com/" title="http://atticfox.wordpress.com" target="_blank"> BRAIN DRAIN &#8211; http://atticfox.wordpress.com </a></span></span> </p>
<p style="width: 600px;"> <a style="color: rgb(0, 0, 255);" href="http://joysromanticdream.blogspot.com/2008/02/chopins-ballade-no-1.html" target="_blank"> <b>Chopin&#8217;s</b> Ballade no. 1</a><br /><span style=""> <span style="color: rgb(102, 102, 102);">By Joy(Joy) </span><br />I think <b>Chopin</b> was wanting to create a new atmosphere for an ancient gernre for this piece by writing a ballad for an instrument. In the structure, it could be broken down into a large strophic form. I also see similarities in sonata <b>&#8230;</b><br /><span style="color:green;"> <a style="color: green;" href="http://joysromanticdream.blogspot.com/" title="http://joysromanticdream.blogspot.com/" target="_blank"> Romantic Literature &#8211; http://joysromanticdream<wbr>.blogspot.com/ </a></span></span> </p>
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		<title>The Chopin Currency &#8211; Jan. 28, 2008</title>
		<link>http://www.chopinproject.com/2008/01/28/the-chopin-currency-jan-28-2008/</link>
		<comments>http://www.chopinproject.com/2008/01/28/the-chopin-currency-jan-28-2008/#comments</comments>
		<pubDate>Mon, 28 Jan 2008 16:18:00 +0000</pubDate>
		<dc:creator>bkr</dc:creator>
				<category><![CDATA[Artur Rubinstein]]></category>
		<category><![CDATA[Ballades]]></category>
		<category><![CDATA[Chopin Currency]]></category>
		<category><![CDATA[Impromptus]]></category>
		<category><![CDATA[Jeanne Stark-Iochmans]]></category>
		<category><![CDATA[Nocturnes]]></category>
		<category><![CDATA[Waltzes]]></category>
		<category><![CDATA[Yundi Li]]></category>

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		<description><![CDATA[<p style="font-weight: bold; font-style: italic;"><span style="font-size:180%;">Chopin News, Reviews, and Previews<br /></span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.projo.com/music/content/pianistrev_01-28-08_7N8PB2S_v7.2954675.html" target="_blank"> Stark-Iochmans: No flash, but a workmanlike effort</a><br /><span style=""><span style="color: rgb(102, 102, 102);">Providence Journal &#8211; Providence,RI,USA</span><br />Stark-Iochmans turned to <b>Chopin</b> to close out the afternoon, the composer’s Fourth Ballade in F Minor. Again this contained some beautiful playing, <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&#38;ncl=http://www.projo.com/music/content/pianistrev_01-28-08_7N8PB2S_v7.2954675.html" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"><a style="color: rgb(0, 0, 255);" href="http://blistener.blogspot.com/2008/01/chopin-waltzes-impromputs.html" target="_blank"><b>Chopin</b>:&#8230;</a></p>]]></description>
			<content:encoded><![CDATA[<p style="font-weight: bold; font-style: italic;"><span style="font-size:180%;">Chopin News, Reviews, and Previews<br /></span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.projo.com/music/content/pianistrev_01-28-08_7N8PB2S_v7.2954675.html" target="_blank"> Stark-Iochmans: No flash, but a workmanlike effort</a><br /><span style=""><span style="color: rgb(102, 102, 102);">Providence Journal &#8211; Providence,RI,USA</span><br />Stark-Iochmans turned to <b>Chopin</b> to close out the afternoon, the composer’s Fourth Ballade in F Minor. Again this contained some beautiful playing, <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.projo.com/music/content/pianistrev_01-28-08_7N8PB2S_v7.2954675.html" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"><a style="color: rgb(0, 0, 255);" href="http://blistener.blogspot.com/2008/01/chopin-waltzes-impromputs.html" target="_blank"><b>Chopin</b>: Waltzes, Impromptus</a><br /><span style=""> <span style="color: rgb(102, 102, 102);">By Bl&#8217;ogre(Bl&#8217;ogre) </span><br />This RCA Red Seal CD boasts Arthur Rubinstein&#8217;s interpretation of <b>Chopin</b>. I would have to admit that it is until these recordings that I have a new feeling regarding <b>Chopin</b>. Before, I enjoyed the virtuous line as a chain of fioriture, <b>&#8230;</b><br /><span style="color:green;"> <a style="color: green;" href="http://blistener.blogspot.com/" title="http://blistener.blogspot.com/" target="_blank"> BListener&#8217;s Choice &#8211; http://blistener.blogspot.com/ </a></span></span> </p>
<p style="width: 600px;"> <span style=""><span style="color:green;"><a style="color: green;" href="http://www.yourcobalt.com/forums" title="http://www.yourcobalt.com/forums" target="_blank"></a></span></span><a style="color: rgb(0, 0, 255);" href="http://candymok.blogspot.com/2008/01/chopin-nocturne-op-9-no-2.html" target="_blank"><b>Chopin</b> Nocturne Op. 9 No. 2</a><br /><span style=""> <span style="color: rgb(102, 102, 102);">By Candy Mok(Candy Mok) </span><br />By Yundi Li.<br /><span style="color:green;"> <a style="color: green;" href="http://candymok.blogspot.com/" title="http://candymok.blogspot.com/" target="_blank"> Cotton Candyland &#8211; http://candymok.blogspot.com/ </a></span></span> </p>
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