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	<title>The Chopin Project &#187; Scherzos</title>
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		<title>The Chopin Currency &#8211; June 12th, 2008</title>
		<link>http://www.chopinproject.com/2008/06/12/the-chopin-currency-june-12th-2008/</link>
		<comments>http://www.chopinproject.com/2008/06/12/the-chopin-currency-june-12th-2008/#comments</comments>
		<pubDate>Thu, 12 Jun 2008 12:01:00 +0000</pubDate>
		<dc:creator>bkr</dc:creator>
				<category><![CDATA[Chopin Currency]]></category>
		<category><![CDATA[Fantaisie-Impromptu]]></category>
		<category><![CDATA[Maurizio Pollini]]></category>
		<category><![CDATA[Revolutionary Etude]]></category>
		<category><![CDATA[Ringtones]]></category>
		<category><![CDATA[Scherzos]]></category>
		<category><![CDATA[Yundi Li]]></category>

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		<description><![CDATA[<p><a href="http://bp0.blogger.com/_b_dlOeYMnhU/SFEZWJTtnwI/AAAAAAAAAiI/HR5jZu98NvM/s1600-h/pollini8_243x199.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img id="BLOGGER_PHOTO_ID_5210974112090791682" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp0.blogger.com/_b_dlOeYMnhU/SFEZWJTtnwI/AAAAAAAAAiI/HR5jZu98NvM/s320/pollini8_243x199.jpg" border="0" alt="" /></a></p>
<p><span style="font-size:+1;"><span style="font-weight: bold;font-size:180%;"><span style="font-style: italic;">Chopin News, Views, and Reviews:</span></span><span style="font-size:130%;"><br />
</span></span></p>
<p style="width: 600px;"><span style="font-size:130%;"><a style="color: blue;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/06/12/bmpollini112.xml" target="_blank"> Maurizio Pollini: when inspiration flows through to the third encore</a><br />
</span> <span style="font-size:-1;"><span style="font-size: 130%; color: #666666;"><a href="http://telegraph.co.uk/" target="_blank">Telegraph.co.uk</a> &#8211; United Kingdom</span></span></p>
<p style="width: 600px;"><span style="font-style: italic; font-family: arial;">London critic finds the essence of the Italian artist&#8217;s mastery in a brief Chopin etude:</span></p>
<p style="width: 600px;">
</p><p style="width: 600px;"><span style="font-family: georgia;"></span></p>
<blockquote>
<p class="story2">When everything clicks in a Maurizio Pollini recital, as it did&#8230;</p></blockquote>]]></description>
			<content:encoded><![CDATA[<p><a href="http://bp0.blogger.com/_b_dlOeYMnhU/SFEZWJTtnwI/AAAAAAAAAiI/HR5jZu98NvM/s1600-h/pollini8_243x199.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img id="BLOGGER_PHOTO_ID_5210974112090791682" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp0.blogger.com/_b_dlOeYMnhU/SFEZWJTtnwI/AAAAAAAAAiI/HR5jZu98NvM/s320/pollini8_243x199.jpg" border="0" alt="" /></a></p>
<p><span style="font-size:+1;"><span style="font-weight: bold;font-size:180%;"><span style="font-style: italic;">Chopin News, Views, and Reviews:</span></span><span style="font-size:130%;"><br />
</span></span></p>
<p style="width: 600px;"><span style="font-size:130%;"><a style="color: blue;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/06/12/bmpollini112.xml" target="_blank"> Maurizio Pollini: when inspiration flows through to the third encore</a><br />
</span> <span style="font-size:-1;"><span style="font-size: 130%; color: #666666;"><a href="http://telegraph.co.uk/" target="_blank">Telegraph.co.uk</a> &#8211; United Kingdom</span></span></p>
<p style="width: 600px;"><span style="font-style: italic; font-family: arial;">London critic finds the essence of the Italian artist&#8217;s mastery in a brief Chopin etude:</span></p>
<p style="width: 600px;">
<p style="width: 600px;"><span style="font-family: georgia;"></p>
<blockquote>
<p class="story2">When everything clicks in a Maurizio Pollini recital, as it did here, it can be an absorbing, revelatory experience. This was a vintage example of his fascinating pianism, combining as it does a focused intellect with poetic sensibility, and a passion tempered by reason.</p>
<p class="story2">You do not expect, nor do you get, anything gratuitously extrovert with Pollini, and there was no more acute example of his essential poise and stylistic awareness than in his second encore, Chopin&#8217;s famous Revolutionary Study.</p>
<p class="story2">Where some might launch headlong into it with barnstorming bravura, Pollini was more circumspect, not to the detriment of the music&#8217;s drama but with a care for colour that went way beyond mere technical virtuosity.  [...]</p>
<p class="story2">Thoroughly in his element, Pollini played Chopin&#8217;s Four Mazurkas Op 33 with a breathtaking mix of wistful melancholy and rhythmic impetus. In the B minor Scherzo, as in the G minor Ballade given as the third encore, his inspiration flowed seamlessly.</p>
</blockquote>
<p></span><span style="font-size:-1;"><strong></strong><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.telegraph.co.uk/arts/main.jhtml%3Fxml%3D/arts/2008/06/12/bmpollini112.xml" target="_blank"><span style="color: green;"><br />
</span></a> </span></p>
<p style="width: 600px;"><span style="font-size:130%;"><a style="color: blue;" href="http://www.thisislondon.co.uk/music/gig-23370443-details/Maurizio+Pollini/gigReview.do?reviewId=23493801" target="_blank"> Pollini&#8217;s rare artistry is restricted</a><br />
</span> <span style="font-size:-1;"><span style="font-size: 130%; color: #666666;">This is London &#8211; London,England,UK</span></span></p>
<p style="width: 600px; font-style: italic; font-family: arial;">Same recital, entirely different view from the Evening Standard critic&#8230;.</p>
<p style="width: 600px;"><span style="font-size:-1;"></p>
<blockquote><p><span style="font-size:100%;">Undoubtedly one of the pianistic giants of his generation, Maurizio Pollini offers an increasingly frustrating experience in recital. Now in his mid-60s, he can still pack them in to the Festival Hall and bring them to their feet after three rousing encores. But a disengaged quality in his playing mars too much of what he does.</span></p>
<p><span style="font-size:100%;">[...]<br />
</span></p>
<p><span style="font-size:100%;">It has to be said, though, that Pollini’s technical mastery is no longer unassailable. That insecurity may well account for the scrambled, vertiginous nature of virtuoso passages, such as those of Chopin’s Scherzo No 1 in B minor. There was some impressive playing here, too: Pollini’s tone is always ingratiating and there were many wonderfully nuanced moments. </span></p>
<p><span style="font-size:100%;">But once again expansive gestures were shunned, with the result that too much was flattened out and under-characterised</span></p></blockquote>
<p><strong></strong><br />
<a href="http://news.google.com/news?hl=en&amp;ncl=http://www.thisislondon.co.uk/music/gig-23370443-details/Maurizio%2BPollini/gigReview.do%3FreviewId%3D23493801" target="_blank"><span style="color: green;"> See all stories on this topic</span></a></p>
<p></span></p>
<p style="font-style: italic;"><span style="font-size:180%;"><span style="font-weight: bold;">Chopin in the Blogosphere:</span><br />
</span></p>
<p style="width: 600px;"><a style="color: #0000ff;" href="http://blog.evanwilder.com/2008/06/chopin-is-the-only-ring-tone-for-you" target="_blank"> <strong>Chopin</strong> is the Only Ring Tone for You</a><br />
<span style="font-size:-1;"> <span style="color: #666666;">By Evan<br />
</span></span></p>
<p style="width: 600px;">
<blockquote><p>I have a custom ring tone setup on my cell phone when my bride Amanda calls. Yesterday at work I thought I heard her calling … but it was just the internet radio?! How could she call me through the internet radio?<br />
My guess is that my cell phone’s built in melody #7 is actually a version of <a href="http://www.last.fm/music/Stanislav+Bunin/_/%C3%89tude+In+G+Flat+Op.10+No.5" target="_blank">Chopin’s </a><span class="sans"><a href="http://www.last.fm/music/Stanislav+Bunin/_/%C3%89tude+In+G+Flat+Op.10+No.5" target="_blank">Étude No. 5 in G-Flat Major “Black Keys</a>.” </span></p></blockquote>
<p><span style="font-size:-1;"><br />
<span style="color: green;"> <a style="color: green;" title="http://blog.evanwilder.com" href="http://blog.evanwilder.com/" target="_blank"> Wild.er &#8211; http://blog.evanwilder.com </a></span></span></p>
<p><span style="font-size:+1;"><span style="font-weight: bold;font-size:180%;"><span style="font-style: italic;">Chopin in the YouTubeoSphere:</span></span><br />
<strong></strong></span></p>
<p><a style="color: blue;" href="http://www.youtube.com/watch?v=tvm2ZsRv3C8" target="_blank"> YouTube &#8211; Yundi Li &#8211; <strong>Chopin</strong> &#8220;Fantasie&#8221; Impromptu, Op. 66</a></p>
<p><span style="font-size:100%;"><span style="font-style: italic; font-family: arial;">Professionally shot and released DG video of the </span></span><span style="font-size:-1;"><span style="font-size:100%;"><span style="font-style: italic; font-family: arial;"> Fantasie-Impromptu in C-sharp minor, Op. 66 No. 1&#8230;</span></span><br />
</span></p>
<p><a class="a2a_dd addtoany_share_save" href="http://www.addtoany.com/share_save#url=http%3A%2F%2Fwww.chopinproject.com%2F2008%2F06%2F12%2Fthe-chopin-currency-june-12th-2008%2F&amp;title=The%20Chopin%20Currency%20%26%238211%3B%20June%2012th%2C%202008"><img src="http://www.chopinproject.com/wp-content/plugins/add-to-any/share_save_171_16.png" width="171" height="16" alt="Share"/></a> </p>]]></content:encoded>
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		<title>The Chopin Currency &#8211; May 25, 2008</title>
		<link>http://www.chopinproject.com/2008/05/25/the-chopin-currency-may-25-2008/</link>
		<comments>http://www.chopinproject.com/2008/05/25/the-chopin-currency-may-25-2008/#comments</comments>
		<pubDate>Sun, 25 May 2008 15:44:00 +0000</pubDate>
		<dc:creator>bkr</dc:creator>
				<category><![CDATA[BBC Radio 3]]></category>
		<category><![CDATA[Chopin Currency]]></category>
		<category><![CDATA[Chopin Experience]]></category>
		<category><![CDATA[Gilmore Festival]]></category>
		<category><![CDATA[Ingrid Fliter]]></category>
		<category><![CDATA[Nikolai Demidenko]]></category>
		<category><![CDATA[Radiohead]]></category>
		<category><![CDATA[Scherzos]]></category>
		<category><![CDATA[William Kapell]]></category>

		<guid isPermaLink="false">http://chopinproject.com/2008/05/25/the-chopin-currency-may-25-2008/</guid>
		<description><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_b_dlOeYMnhU/SD2bu44tZ4I/AAAAAAAAAfA/JLbXNPycTRc/s1600-h/fliter350.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_b_dlOeYMnhU/SD2bu44tZ4I/AAAAAAAAAfA/JLbXNPycTRc/s320/fliter350.jpg" alt="" id="BLOGGER_PHOTO_ID_5205487974156691330" border="0" /></a>
</p><p style="font-style: italic;"><span style="font-size:180%;">Chopin News, Reviews, and Previews:</span></p>
<p style="width: 600px;"> <span style="font-size:130%;"><a style="color: blue;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/05/24/bmingrid124.xml" target="_blank"> Ingrid Fliter: &#8216;In the middle of my salad, he told me I&#8217;d won&#8217;</a><br /></span> <span style="font-size:-1;"><span style="font-size:130%;color:#666666;"><a href="http://telegraph.co.uk/" target="_blank">Telegraph.co.uk</a> &#8211; United Kingdom</span><br /><span style="font-weight: bold;"></span><b></b><a href="http://news.google.com/news?hl=en&#38;ncl=http://www.telegraph.co.uk/arts/main.jhtml%3Fxml%3D/arts/2008/05/24/bmingrid124.xml" target="_blank"><span style="color:green;"><br /></span></a> </span></p>
<p style="font-style: italic;"><span style="font-family:arial;">A &#8220;Get To Know Her&#8221; introduction to UK readers of It Girl <a href="http://www.ingridfliter.com/">Ingrid Fliter &#8230;<br /></a></span></p>
<p style="font-style: italic;">
<blockquote><p class="story2">Born in Argentina and now living in Milan,&#8230;</p></blockquote></p>]]></description>
			<content:encoded><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_b_dlOeYMnhU/SD2bu44tZ4I/AAAAAAAAAfA/JLbXNPycTRc/s1600-h/fliter350.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_b_dlOeYMnhU/SD2bu44tZ4I/AAAAAAAAAfA/JLbXNPycTRc/s320/fliter350.jpg" alt="" id="BLOGGER_PHOTO_ID_5205487974156691330" border="0" /></a>
<p style="font-style: italic;"><span style="font-size:180%;">Chopin News, Reviews, and Previews:</span></p>
<p style="width: 600px;"> <span style="font-size:130%;"><a style="color: blue;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/05/24/bmingrid124.xml" target="_blank"> Ingrid Fliter: &#8216;In the middle of my salad, he told me I&#8217;d won&#8217;</a><br /></span> <span style="font-size:-1;"><span style="font-size:130%;color:#666666;"><a href="http://telegraph.co.uk/" target="_blank">Telegraph.co.uk</a> &#8211; United Kingdom</span><br /><span style="font-weight: bold;"></span><b></b><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.telegraph.co.uk/arts/main.jhtml%3Fxml%3D/arts/2008/05/24/bmingrid124.xml" target="_blank"><span style="color:green;"><br /></span></a> </span></p>
<p style="font-style: italic;"><span style="font-family:arial;">A &#8220;Get To Know Her&#8221; introduction to UK readers of It Girl <a href="http://www.ingridfliter.com/">Ingrid Fliter &#8230;<br /></a></span></p>
<p style="font-style: italic;">
<blockquote><p class="story2">Born in Argentina and now living in Milan, Fliter (pronounced Fleeter) has in the past toured Japan and the US and won the silver medal in the Chopin Competition in Warsaw in 2000. But the Gilmore was an important catalyst, bringing her an EMI contract, management in the US and Europe, and a place on the BBC&#8217;s New Generation Artists scheme. And now a series of dates in the UK will introduce her to wider audiences, with a Wigmore Hall recital and appearances at the Cheltenham and City of London Festivals. </p>
<p class="story2">&#8220;The Gilmore changed my life deeply, completely,&#8221; she says. &#8220;In the beginning I had to deal with a lot of pressure and expectations,&#8221; she admits. &#8220;But after two years I&#8217;m now really starting to enjoy this very hectic, intense concert life.&#8221; Her London debut last year, together with her first disc of Chopin for EMI, confirmed her phenomenal technique and the spontaneity of expression she brings to music. There is also a fluent, singing quality to her playing. [...]</p>
<p class="story2">&#8220;Chopin made me discover the beauty of piano-playing,&#8221; she says. &#8220;I was very lucky to be introduced to his music from the very beginning. Pianistically speaking, it develops the imagination and good taste as regards rubato &#8211; where to give and where to take, in a natural way that a singer would do. Rubato in Chopin is very often exaggerated, but I imagine him as a Classical composer, not as a Romantic, though that doesn&#8217;t restrain you from being dramatic and dark. Sometimes the music reaches moments of deep sorrow.&#8221;</p>
</blockquote>
<p class="story2">
<p style="font-style: italic;"><span style="font-family:arial;"></span><span><span style="font-size:-1;"><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.telegraph.co.uk/arts/main.jhtml%3Fxml%3D/arts/2008/05/24/bmingrid124.xml" target="_blank"><span style="color:green;"> See all stories on this topic</span></a></span></span></p>
<p style="width: 600px;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_b_dlOeYMnhU/SD2fvY4tZ6I/AAAAAAAAAfQ/YRrbV1hDmj0/s1600-h/radio3_logo.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_b_dlOeYMnhU/SD2fvY4tZ6I/AAAAAAAAAfQ/YRrbV1hDmj0/s320/radio3_logo.jpg" alt="" id="BLOGGER_PHOTO_ID_5205492380793137058" border="0" /></a><span style="font-size:130%;"><a style="color: blue;" href="http://www.independent.co.uk/arts-entertainment/film-and-tv/tv-radio-reviews/the-chopin-experience-radio-3-833867.html" target="_blank">The <b>Chopin</b> Experience, Radio 3</a><br /></span><span style="font-size:130%;"><span style="color:#666666;">Independent &#8211; London,England,UK</span></span></p>
<p style="width: 600px; font-style: italic;"><span style="font-family:arial;">More musings on the effect of the BBC&#8217;s </span><a style="font-family: arial;" href="http://www.bbc.co.uk/radio3/classical/chopinexperience/">Chopin Experience&#8230;</a></p>
<p style="width: 600px;"><span style="font-size:-1;"><br />
<blockquote><span style="font-size:100%;">In conversation with the pianist <a href="http://www.hyperion-records.co.uk/artist_page.asp?name=demidenko">Nikolai Demidenko</a>, the latter revealed that Chopin knew his limitations as a composer, but said that he knew that his work appealed particularly to women. &#8220;A short, direct line straight to the heart,&#8221; he said, and Walker said &#8220;Mmm&#8221;, and I was reminded of a friend of mine who said that the only time he really &#8220;got&#8221; Chopin was when he was in love. So, if you were in love during the weekend of 17-18 May, then you will have enjoyed The Chopin Experience immensely.</span></p></blockquote>
<p><b></b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.independent.co.uk/arts-entertainment/film-and-tv/tv-radio-reviews/the-chopin-experience-radio-3-833867.html" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.independent.co.uk/arts-entertainment/theatre/reviews/rambert-mixed-bill-sadlers-wells-londonbrroyal-ballet-double-bill-royal-opera-house-london-833851.html" target="_blank"> </a><span style="font-size:-1;"><br /></span></p>
<p style="width: 600px;"> <span style="font-size:130%;"><a style="color: blue;" href="http://arts.guardian.co.uk/theatre/dance/reviews/story/0,,2282090,00.html" target="_blank"> Who needs Rudolf Nureyev?</a><br /></span><span style="font-size:-1;"><span style="font-size:130%;color:#666666;">The Observer &#8211; UK</span></span></p>
<p style="width: 600px; font-style: italic; font-family: arial;">No question what&#8217;s the hot dance ticket in London town&#8230;.this UK scribe says the current production of  &#8220;Dances at a Gathering&#8221;  (bodies by Robbins, soul by Chopin) is on par with the best ever&#8230;</p>
<p style="width: 600px;"><span style="font-size:-1;"><br />
<blockquote><span style="font-size:100%;">Jerome Robbins&#8217;s Dances at a Gathering (1969) is a plotless work set to piano pieces by Chopin. Tender, dreamy and shot through with a sense of long-ago love affairs, the piece acquires a different dynamic with every cast. When the Royal Ballet danced it in the 1970s, it became a signature piece, a group portrait of an unforgettable constellation of stars. When the company performs Robbins&#8217;s piece today, the layers of allusion are dense. But in a good way: the new cast has new things to tell us and is not about to be crowded off the stage by ghosts&#8230;.</span><b></b></p></blockquote>
<p></span></p>
<p style="width: 600px;"><span style="font-size:-1;"><a href="http://news.google.com/news?hl=en&amp;ncl=http://arts.guardian.co.uk/theatre/dance/reviews/story/0,,2282090,00.html" target="_blank"><span style="color:green;"> See all stories on this topic</span></a></span></p>
<p style="width: 600px; font-style: italic;"><span style="font-size:180%;">Chopin News from Outside of London:<br /></span></p>
<p style="width: 600px;"><span style="font-size:-1;"></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_b_dlOeYMnhU/SD2jd44tZ7I/AAAAAAAAAfY/6ZnFOlhFODQ/s1600-h/kapell.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 190px; height: 239px;" src="http://bp3.blogger.com/_b_dlOeYMnhU/SD2jd44tZ7I/AAAAAAAAAfY/6ZnFOlhFODQ/s320/kapell.jpg" alt="" id="BLOGGER_PHOTO_ID_5205496478191937458" border="0" /></a><a style="color: blue;" href="http://online.wsj.com/article/SB121157899109018393.html?mod=googlenews_wsj" target="_blank">After the Good Die Young</a><br /><span style="font-size:-1;"><span style="color:#666666;">Wall Street Journal &#8211; USA</span></span></p>
<p style="width: 600px;"><span style="font-style: italic;font-family:arial;" >Beautifully-written article on the tragically short-lived pianist <a href="http://www.williamkapell.com/">William Kapell</a>, occasioned by the release of a just-discovered 1953 live concert performance in Australia that turned out to be Kapell&#8217;s last recording&#8230;</span></p>
<p style="width: 600px;">
<blockquote><p>You&#8217;d think that Kapell&#8217;s youthful and spectacular demise would have captured the imagination of the listening public and ensured his lasting fame. Charlie Parker, who died two years later at the equally untimely age of 34, remains to this day a cultural icon. Likewise Jackson Pollock and James Dean, whose lives were cut short around the same time. Why, then, did Kapell slip through the cracks of renown? [...]</p>
<p>Kapell died too soon to record more than a handful of the large-scale works in his repertoire, but in recent years a fair number of live recordings have surfaced. RCA, his old label, has just released &#8220;<a href="http://www.williamkapell.com/store/">Kapell Rediscovered</a>,&#8221; a two-CD set of radio broadcasts made during a 1953 tour of Australia. They are his last recordings &#8212; he was killed flying home from that tour &#8212; and they include a number of pieces that he never recorded in the studio, among them <span style="font-weight: bold;">Chopin&#8217;s B Minor Scherzo</span>, Debussy&#8217;s &#8220;Suite Bergamasque&#8221; and Prokofiev&#8217;s Seventh Sonata. The sound is only fair, but the performances are pure Kapell, headlong, vital and crackling with a vibrant immediacy that makes you feel as though he were playing in your very own living room.</p></blockquote>
<p style="width: 600px;"><span style="font-size:-1;"><b></b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://online.wsj.com/article/SB121157899109018393.html%3Fmod%3Dgooglenews_wsj" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p><span style="font-size:+1;"><br /></span></p>
<p style="font-style: italic;"><span style="font-size:180%;">Chopin in the Blogosphere:<br /></span></p>
<p style="width: 600px;"> <a style="color: rgb(0, 0, 255);" href="http://www.signmypiano.com/2008/05/chopin-nocturne-in-e-minor-dedicated-to.html" target="_blank"> <b>Chopin</b> Nocturne in E MinorDedicated to Two Individuals</a><br /><span style="font-size:-1;"> <span style="color:#666666;">By Jeremiah Jones(Jeremiah Jones)<br /></span></span></p>
<p style="width: 600px;"><span style="font-size:-1;"><br /><b>Chopin</b>&#8217;s Nocturne in E-minor is one of my favorite Nocturnes. It is a short, yet profound work of art that takes the listener through several of life&#8217;s most important emotions. It can stir the soul and awaken the spirit. <b>&#8230;</b><br /><span style="color:green;"> <a style="color: green;" href="http://www.signmypiano.com/" title="http://www.signmypiano.com/" target="_blank">  &#8211; http://www.signmypiano.com/ </a></span></span> </p>
<p><a style="color: rgb(0, 0, 255);" href="http://www.unquality.com/?p=574" target="_blank">Jack Conte’s Video Song &#8211; The Giant, Radiohead/<b>Chopin</b></a>
<p style="width: 600px;"><span style="font-size:-1;"> <span style="color:#666666;">By robkwok </span><br />A VideoSong is a new Medium with two rules:. 1. What you see is what you hear (no lip-syncing for instruments or voice). 2. If you hear it, at some point you see it (no hidden sounds). The Giant. Radiohead and <b>Chopin</b> Combination <b>&#8230;</b><br /><span style="color:green;"> <a style="color: green;" href="http://www.unquality.com/" title="http://www.unquality.com" target="_blank"> Unquality: Retarded Videos for&#8230; &#8211; http://www.unquality.com </a></span></span> </p>
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		<title>The Chopin Currency: Feb. 22, 2008</title>
		<link>http://www.chopinproject.com/2008/02/22/the-chopin-currency-feb-22-2008/</link>
		<comments>http://www.chopinproject.com/2008/02/22/the-chopin-currency-feb-22-2008/#comments</comments>
		<pubDate>Fri, 22 Feb 2008 13:46:00 +0000</pubDate>
		<dc:creator>bkr</dc:creator>
				<category><![CDATA[Allie Hughes]]></category>
		<category><![CDATA[Chopin Currency]]></category>
		<category><![CDATA[Click for Lessons]]></category>
		<category><![CDATA[Diana Fanning]]></category>
		<category><![CDATA[Nocturnes]]></category>
		<category><![CDATA[Ryan Stewart]]></category>
		<category><![CDATA[Scherzos]]></category>
		<category><![CDATA[Yundi Li]]></category>

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</p><p><span style="font-size:+1;"><span style="font-style: italic;font-size:180%;" >Chopin News, Reviews, &#38; Previews:</span><br /></span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.timesargus.com/apps/pbcs.dll/article?AID=/20080222/FEATURES02/802220315/1011/FEATURES02" target="_blank"> Pianist Diana Fanning</a></p>
<p style="width: 600px;"><span style="font-style: italic;">Well-traveled Middlebury-based pianist offers a recital in the Vermont state capital with an emphasis on Chopin: &#8220;I have chosen pieces that I have loved for years, and I think they illustrate different aspects of&#8230;</span></p>]]></description>
			<content:encoded><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_b_dlOeYMnhU/R77Uw1_GV0I/AAAAAAAAABg/Q6X3vvWpVuc/s1600-h/diana+fanning.jpeg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp1.blogger.com/_b_dlOeYMnhU/R77Uw1_GV0I/AAAAAAAAABg/Q6X3vvWpVuc/s320/diana+fanning.jpeg" alt="" id="BLOGGER_PHOTO_ID_5169803357858453314" border="0" /></a>
<p><span style="font-size:+1;"><span style="font-style: italic;font-size:180%;" >Chopin News, Reviews, &amp; Previews:</span><br /></span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.timesargus.com/apps/pbcs.dll/article?AID=/20080222/FEATURES02/802220315/1011/FEATURES02" target="_blank"> Pianist Diana Fanning</a></p>
<p style="width: 600px;"><span style="font-style: italic;">Well-traveled Middlebury-based pianist offers a recital in the Vermont state capital with an emphasis on Chopin: &#8220;I have chosen pieces that I have loved for years, and I think they illustrate different aspects of Chopin&#8217;s artistry, from the utmost delicacy to tremendous power.&#8221;</span><br /><span style="font-size:-1;"><span style="color:#666666;">Barre Montpelier Times Argus &#8211; Barre,VT,USA</span><br />Works of Frederic <b>Chopin</b> comprise the entire second half of the program. Fanning says, &#8220;I have so enjoyed thinking about the poetic and passionate music of <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.timesargus.com/apps/pbcs.dll/article%3FAID%3D/20080222/FEATURES02/802220315/1011/FEATURES02" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://deseretnews.com/article/1,5143,695255051,00.html" target="_blank"> Debut album &#8216;Equanimity&#8217; is dream come true for computer consultant</a></p>
<p style="width: 600px;">Computer consultant-turned-composer Ryan Stewart cites Chopin as one of his major influences on his new CD that ranges from &#8220;solo piano to lush orchestration.&#8221;<br /><span style="font-size:-1;"><span style="color:#666666;">Deseret News &#8211; Salt Lake City,UT,USA</span><br />Stewart&#8217;s influences range from classical works of Rachmaninoff, <b>Chopin</b> and Debussy to jazz icon Harry Connick Jr., New Age artists Vangelis and film <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://deseretnews.com/article/1,5143,695255051,00.html" target="_blank"><span style="color:green;"> See all stories on this topic</span></a></span></p>
<p style="width: 600px;"><span style="font-size:-1;"><a href="http://news.google.com/news?hl=en&amp;ncl=http://deseretnews.com/article/1,5143,695255051,00.html" target="_blank"><span style="color:green;"><br /></span></a> </span></p>
<p style="width: 600px;">
<p style="width: 600px;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_b_dlOeYMnhU/R77Y3F_GV1I/AAAAAAAAABo/bjmI7NgbcSk/s1600-h/keys.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp2.blogger.com/_b_dlOeYMnhU/R77Y3F_GV1I/AAAAAAAAABo/bjmI7NgbcSk/s320/keys.jpg" alt="" id="BLOGGER_PHOTO_ID_5169807863279146834" border="0" /></a></p>
<p style="width: 600px;"><span style="font-size:-1;"> </span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.commonwealthtimes.com/home/news/2008/02/21/Spectrum/New-Album.Shows.Alicia.Keys.As.She.Is-3226538.shtml" target="_blank"> New album shows Alicia Keys as she is</a><br /><span style="font-style: italic;">Richmond reviewer notes one of pop diva&#8217;s trademarks &#8211; showing off her classical chops in concert and on disc&#8230;</span><br /><span style="font-size:-1;"><span style="color:#666666;">Commonwealth Times (subscription) &#8211; Richmond,VA,USA</span></span><span style="font-size:-1;"><br />Keys begins with a piece that bears a striking resemblance to Frederick <b>Chopin&#8217;s</b> &#8220;Nocturne in C minor.&#8221; The &#8220;As I Am (Intro)&#8221; ends with a smooth beat laid <b>&#8230;</b></span><span style="font-size:-1;"><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.commonwealthtimes.com/home/news/2008/02/21/Spectrum/New-Album.Shows.Alicia.Keys.As.She.Is-3226538.shtml" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;">
<p style="width: 600px;"><a style="color: blue;" href="http://www.kansan.com/stories/2008/feb/21/learning_keys_success/" target="_blank"><br /></a></p>
<p style="width: 600px;"><a style="color: blue;" href="http://www.kansan.com/stories/2008/feb/21/learning_keys_success/" target="_blank"><br /></a></p>
<p style="width: 600px;"><a style="color: blue;" href="http://www.kansan.com/stories/2008/feb/21/learning_keys_success/" target="_blank"> Learning the keys to success</a><br /><span style="font-style: italic;">Charming essay about a life lesson learned when a Chopin Nocturne brought a young overachiever to her knees&#8230;</span> <span style="font-size:-1;"><span style="color:#666666;">University Daily Kansan &#8211; Lawrence,KS,USA</span><br />I was working on a nocturne by <b>Chopin</b>, and for nearly two hours every night, I would sit at my piano going over and over each scale, chord and trill. <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.kansan.com/stories/2008/feb/21/learning_keys_success/" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p>
<p style="width: 600px;"> <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_b_dlOeYMnhU/R77btV_GV2I/AAAAAAAAABw/dDKgDOzFLOs/s1600-h/alliehughes.JPG"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_b_dlOeYMnhU/R77btV_GV2I/AAAAAAAAABw/dDKgDOzFLOs/s320/alliehughes.JPG" alt="" id="BLOGGER_PHOTO_ID_5169810994310305634" border="0" /></a><a style="color: blue;" href="http://torontoist.com/2008/02/allie_hughes_pl.php" target="_blank">Allie Hughes Plays the El Mo</a></p>
<p style="width: 600px;"><span style="font-style: italic;">This time, it&#8217;s a Canadian singer-songwriter who gives a nod to Monsieur Chopin as a major influence&#8230;.</span><br /><span style="font-size:-1;"><span style="color:#666666;">Torontoist &#8211; Ontario, Canada</span><br /><b>&#8230;</b> to hear that she counts Kurt Weill and Stephen Sondheim among her diverse list of influences (that also includes <b>Chopin</b>, Brahms and plenty of Rufus). <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://torontoist.com/2008/02/allie_hughes_pl.php" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.exchangemagazine.com/morningpost/2008/week8/Thursday/022108.html" target="_blank"><br /></a></p>
<p>
<p style="width: 600px;"><a style="color: blue;" href="http://www.exchangemagazine.com/morningpost/2008/week8/Thursday/022108.html" target="_blank"> Solo Recital by Pianist Yundi Li</a></p>
<p style="width: 600px; font-style: italic;">Preview of March 18 Toronto recital by budding Chinese superstar pianist,  &#8220;propelled to international fame when he won first prize at the 2000 International Chopin Piano Competition in Warsaw, Poland at the age of 18.&#8221;</p>
<p style="width: 600px;"><span style="font-size:-1;"><span style="color:#666666;">Exchange Morning Post &#8211; Waterloo,Ontario,Canada</span><br />His upcoming program includes works by <b>Chopin</b>, Liszt and Mussorgsky’s powerhouse Pictures At An Exhibition. Yundi Li was propelled to international fame <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.exchangemagazine.com/morningpost/2008/week8/Thursday/022108.html" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p><span style="font-size:+1;"><span style="font-style: italic;font-size:180%;" >Chopin Videos:<br /></span></span></p>
<p><a style="color: rgb(0, 0, 255);" href="http://enspired.com/videos/view/clipscherzo-no1-chopin" target="_blank">Clip&#8221;Scherzo No.1&#8243; by <b>Chopin</b></a></p>
<p>F<span style="font-style: italic;">rom a new music-instruction site called &#8220;</span><a style="font-style: italic;" href="http://www.clickforlessons.com">Click for Lessons</a><span style="font-style: italic;">&#8221; a video of a California piano teacher</span>
<p style="width: 600px;"><span style="font-size:-1;"> <span style="color:#666666;">By <a href="mailto:thomaspenders@comcast.net" target="_blank">thomaspenders@comcast.net</a> (Thomas P.) </span><br /><b>Chopin</b> scherzo no.1 performd by Thomas Penders.<br /><span style="color:green;"> <a style="color: green;" href="http://enspired.com/" title="http://enspired.com/" target="_blank"> Enspired Video &#8211; http://enspired.com/ </a></span></span> </p>
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		<title>The Chopin Currency &#8211; Feb. 14, 2008</title>
		<link>http://www.chopinproject.com/2008/02/14/the-chopin-currency-feb-14-2008/</link>
		<comments>http://www.chopinproject.com/2008/02/14/the-chopin-currency-feb-14-2008/#comments</comments>
		<pubDate>Thu, 14 Feb 2008 13:34:00 +0000</pubDate>
		<dc:creator>bkr</dc:creator>
				<category><![CDATA[Chopin Currency]]></category>
		<category><![CDATA[In-Ae Ha]]></category>
		<category><![CDATA[Lang Lang]]></category>
		<category><![CDATA[Neeme Jarvi]]></category>
		<category><![CDATA[New Jersey Symphony]]></category>
		<category><![CDATA[Piano Concertos]]></category>
		<category><![CDATA[Richard Schwin]]></category>
		<category><![CDATA[Scherzos]]></category>
		<category><![CDATA[WUOL]]></category>
		<category><![CDATA[Yundi Li]]></category>
		<category><![CDATA[technology]]></category>

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		<description><![CDATA[<p><span style="font-size:+1;"><span style="font-style: italic;">Chopin News, Reviews, &#38; Previews:</span><br /><b></b></span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.suburbanchicagonews.com/newssun/entertainment/793491,5_5_WA14_SCHWINN_S1.article" target="_blank"> Finding the key Pianist marks 35 years of teaching</a><br /><span style="font-size:-1;"><span style="color:#666666;">Waukegan News Sun &#8211; Waukegan,IL,USA</span><br />Frédéric <b>Chopin</b> wrote four scherzi for the piano. The first three are especially dark and dramatic. The composer Robert Schumann remarked of them, <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&#38;ncl=http://www.suburbanchicagonews.com/newssun/entertainment/793491,5_5_WA14_SCHWINN_S1.article" target="_blank"><span style="color:green;"> See all&#8230;</span></a></span></p>]]></description>
			<content:encoded><![CDATA[<p><span style="font-size:+1;"><span style="font-style: italic;">Chopin News, Reviews, &amp; Previews:</span><br /><b></b></span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.suburbanchicagonews.com/newssun/entertainment/793491,5_5_WA14_SCHWINN_S1.article" target="_blank"> Finding the key Pianist marks 35 years of teaching</a><br /><span style="font-size:-1;"><span style="color:#666666;">Waukegan News Sun &#8211; Waukegan,IL,USA</span><br />Frédéric <b>Chopin</b> wrote four scherzi for the piano. The first three are especially dark and dramatic. The composer Robert Schumann remarked of them, <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.suburbanchicagonews.com/newssun/entertainment/793491,5_5_WA14_SCHWINN_S1.article" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p style="width: 600px;"> <a style="color: blue;" href="http://www.evliving.com/events.php?action=fullnews&amp;id=8835" target="_blank"> Virtuoso Chinese Pianist Yundi Li to Perform Recital</a><br /><span style="font-size:-1;"><span style="color:#666666;">EVLiving &#8211; USA</span><br />As part of his Scottsdale program Li will perform Mozart&#8217;s Piano Sonata in C Major, K. 330; <b>Chopin&#8217;s</b> Four Mazurkas, Nos. 22 &#8211; 25, Op. 33; <b>Chopin&#8217;s</b> Nocturne <b>&#8230;</b><br /><a href="http://news.google.com/news?hl=en&amp;ncl=http://www.evliving.com/events.php%3Faction%3Dfullnews%26id%3D8835" target="_blank"><span style="color:green;"> See all stories on this topic</span></a> </span></p>
<p><span style="font-size:+1;"><span style="font-style: italic;">Chopin in the Blogosphere:</span><br /><b></b></span></p>
<p style="width: 600px;"> <a style="color: rgb(0, 0, 255);" href="http://www.thnt.com/apps/pbcs.dll/article?AID=/20080214/NEWS/302140001/1001/rss" target="_blank"> New Jersey Symphony Orchestra announces 2008-09 season</a><br /><span style="font-size:-1;"> Special concerts (non-subscription) Lang Lang plays <b>Chopin</b> with Maestro Järvi and the NJSO, providing a rare opportunity to hear one of classical music&#8217;s brightest stars perform both of Frédéric <b>Chopin&#8217;s</b> elegant and affecting concertos. <b>&#8230;</b><br /><span style="color:green;"> <a style="color: green;" href="http://www.thnt.com/" title="http://www.thnt.com" target="_blank"> Home News Tribune &#8211; News &#8211; http://www.thnt.com </a></span></span> </p>
<p>
<p style="width: 600px;"> <a style="color: rgb(0, 0, 255);" href="http://www.wuol.org/CMS/?p=6297" target="_blank"> In-Ae Ha on <b>Chopin</b></a><br /><span style="font-size:-1;"> <span style="color:#666666;">By Alan Brandt </span><br />Today’s Lunchtime Classics artist, In-Ae Ha, shares her thoughts on <b>Chopin</b> with the From the Top folks. You can read the short interview here. In-Ae appeared on From the Top in 2005, after winning our Young Artists Competition.<br /><span style="color:green;"> <a style="color: green;" href="http://www.wuol.org/CMS" title="http://www.wuol.org/CMS" target="_blank"> Classical 90.5 &#8211; http://www.wuol.org/CMS </a></span></span> </p>
<p style="width: 600px;"> <a style="color: rgb(0, 0, 255);" href="http://citym.org/ue/2008/02/noteworks-in-the-hands-of-a-re.html" target="_blank"> Noteworks in the hands of a real composer. And, <b>Chopin</b>!</a><br /><span style="font-size:-1;"> <span style="color:#666666;">By John Umbaugh </span><br />Too many rounds, at the very end. It certainly sounds unique, though. By the way, the <b>Chopin</b> song that was the source of the transliteration can be viewed here. The relevant part starts around 0:31. <b>&#8230;</b><br /><span style="color:green;"> <a style="color: green;" href="http://citym.org/ue/" title="http://citym.org/ue/" target="_blank"> citym.org/ue &#8211; http://citym.org/ue/ </a></span></span> </p>
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