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	<title>The Chopin Project &#187; The Concert</title>
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	<description>The Piano Music of Fryderyk Chopin - from the Studio of Arthur Greene</description>
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  <title>The Chopin Project</title>
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		<title>The Chopin Currency &#8211; June 11th, 2008</title>
		<link>http://www.chopinproject.com/2008/06/11/the-chopin-currency-june-11th-2008/</link>
		<comments>http://www.chopinproject.com/2008/06/11/the-chopin-currency-june-11th-2008/#comments</comments>
		<pubDate>Wed, 11 Jun 2008 11:41:00 +0000</pubDate>
		<dc:creator>bkr</dc:creator>
				<category><![CDATA[Alexander Kobrin]]></category>
		<category><![CDATA[Chopin Currency]]></category>
		<category><![CDATA[Definitive Chopin]]></category>
		<category><![CDATA[Jerome Robbins]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[Preludes]]></category>
		<category><![CDATA[The Concert]]></category>

		<guid isPermaLink="false">http://chopinproject.com/2008/06/11/the-chopin-currency-june-11th-2008/</guid>
		<description><![CDATA[<p><a style="color: blue;" href="http://online.wsj.com/article/SB121278089067452659.html?mod=googlenews_wsj" target="_blank"><img src="http://s.wsj.net/public/resources/images/PT-AI705_mprobb_20080604155055.jpg" border="0" alt="[Robbins ballet photo]" hspace="0" vspace="0" width="300" height="184" /></a><span style="font-size:+1;"><span style="font-size:180%;"><span style="font-style: italic;">Chopin News, Views, and Reviews:</span></span> <strong></strong></span></p>
<p style="width: 600px;"><span style="font-size:130%;"><a style="color: blue;" href="http://online.wsj.com/article/SB121278089067452659.html?mod=googlenews_wsj" target="_blank">A Comedic Ballet With Legs</a><br />
</span> <span style="font-size:-1;"><span style="font-size: 130%; color: #666666;">Wall Street Journal &#8211; USA</span></span></p>
<p style="width: 600px;"><span style="font-style: italic; font-family: arial;">WSJ critic marvels at the staying power of Jerome Robbins&#8217; Chopinistic comedic creation&#8230;.</span></p>
<p style="width: 600px;">
<blockquote>
<p class="times">&#8220;Death,&#8221; one showbiz quip has it, &#8220;is easy; comedy is hard.&#8221; However savvy Jerome Robbins might&#8230;</p></blockquote></p>]]></description>
			<content:encoded><![CDATA[<p><a style="color: blue;" href="http://online.wsj.com/article/SB121278089067452659.html?mod=googlenews_wsj" target="_blank"><img src="http://s.wsj.net/public/resources/images/PT-AI705_mprobb_20080604155055.jpg" border="0" alt="[Robbins ballet photo]" hspace="0" vspace="0" width="300" height="184" /></a><span style="font-size:+1;"><span style="font-size:180%;"><span style="font-style: italic;">Chopin News, Views, and Reviews:</span></span> <strong></strong></span></p>
<p style="width: 600px;"><span style="font-size:130%;"><a style="color: blue;" href="http://online.wsj.com/article/SB121278089067452659.html?mod=googlenews_wsj" target="_blank">A Comedic Ballet With Legs</a><br />
</span> <span style="font-size:-1;"><span style="font-size: 130%; color: #666666;">Wall Street Journal &#8211; USA</span></span></p>
<p style="width: 600px;"><span style="font-style: italic; font-family: arial;">WSJ critic marvels at the staying power of Jerome Robbins&#8217; Chopinistic comedic creation&#8230;.</span></p>
<p style="width: 600px;">
<blockquote>
<p class="times">&#8220;Death,&#8221; one showbiz quip has it, &#8220;is easy; comedy is hard.&#8221; However savvy Jerome Robbins might have been in the mid-1950s as a still-budding master of both musical-theater dances and of classical ballet, he could hardly have predicted the staying power of &#8220;The Concert,&#8221; the comedic ballet he created to Chopin in 1956 and called &#8220;A Charade in One Act&#8221; and subtitled &#8220;The Perils of Everybody.&#8221;</p>
<p class="times">Once his hilarious take on would-be concertgoers hit its stride with a 1971 restaging for his home-base company, the New York City Ballet, &#8220;The Concert&#8221; showed itself to be a deathless ballet comedy. In recent years, over a dozen ballet companies nationally and internationally, including one in Perm, Russia, have eagerly performed the work&#8230;.</p>
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<p style="width: 600px;"><span style="font-size:-1;"><strong></strong><br />
<a href="http://news.google.com/news?hl=en&amp;ncl=http://online.wsj.com/article/SB121278089067452659.html%3Fmod%3Dgooglenews_wsj" target="_blank"><span style="color: green;"> See all stories on this topic</span></a> </span></p>
<p><span style="font-size:+1;"><br />
</span></p>
<p><span style="font-size:+1;">Google Blogs Alert for: <strong>chopin</strong></span></p>
<p style="width: 600px;"><a style="color: #0000ff;" href="http://oberon481.typepad.com/oberons_grove/2008/06/robbins-chopin-at-nyc-ballet.html" target="_blank">Robbins &amp; Chopin at NYC Ballet</a><br />
<span style="font-size:-1;"> <span style="color: #666666;">By oberon481<br />
</span></span></p>
<p style="width: 600px; font-style: italic; font-family: arial;">Dance-focused blogger&#8217;s taken on the Chopin/Robbins night at the NYC Ballet:</p>
<p style="width: 600px;">
<blockquote><p>I&#8217;m not sure an all-Chopin evening is a great idea; surely the most effective programmes are those that offer musical contrasts. But THE CONCERT was fun tonight with Sterling Hyltin showing a nice flair for comedy (and dancing very well) and several amusing character players including Andrew Veyette&#8217;s henpecked, vengeful husband and Gwyneth Muller&#8217;s priceless wife with her droll efforts to maintain a sense of decorum.<strong></strong></p></blockquote>
<p style="width: 600px;"><span style="font-size:-1;"> <span style="color: green;"> <a style="color: green;" title="http://oberon481.typepad.com/oberons_grove/" href="http://oberon481.typepad.com/oberons_grove/" target="_blank"> Oberon&#8217;s Grove &#8211; http://oberon481.typepad.com/oberons_grove/ </a></span></span></p>
<p><span style="font-size:180%;"><span style="font-style: italic; font-weight: bold;">Chopin in the Newsgroups:</span></span></p>
<p style="width: 600px;"><a style="color: #0000ff;" href="http://newsgroups.derkeiler.com/Archive/Rec/rec.music.classical.recordings/2008-06/msg01064.html" target="_blank"> Kobrins 2005 <strong>Chopin</strong> Preludes</a></p>
<p style="width: 600px;"><span style="font-style: italic; font-family: arial;">From the rec.music.classical newsgroup, a discussion on the merits of <a href="www.youtube.com/watch?v=wt3GLrv-EH8&amp;feature=related">Alexander Kobrin&#8217;s Chopin</a> interpretations&#8230;</span></p>
<p style="width: 600px;">
<blockquote><p>Sure emphasizes the dark side, but very effective,original conceptions<br />
seemingly not just for effect. He seems to empathize better with this more complex,subtle music than with the more<br />
extroverted, emotional Rachmaninoff Etudes,IMHO. But this is<br />
2005&#8230;&#8230;</p></blockquote>
<p style="width: 600px;"><span style="font-size:-1;"> <span style="color: green;"> <a style="color: green;" title="http://newsgroups.derkeiler.com/Archive/Rec/rec.music.classical.recordings" href="http://newsgroups.derkeiler.com/Archive/Rec/rec.music.classical.recordings" target="_blank"> newsgroups.derkeiler.com: rec.music.c&#8230; &#8211; http://newsgroups.derkeiler.com/Archive/Rec/rec.music.classical.recordings </a></span></span></p>
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