Daniel Stevens

Daniel Stevens is a Ph.D. candidate in music theory at the University of Michigan. An accomplished pianist and cellist, Stevens’s current research interests include the application of Schenkerian theory to the interpretation of song, Abby Whiteside’s bodily interpretation of phrase rhythm, and the musical representation of the sublime. He recently presented an academic paper to the Society for Music Theory and is currently writing a dissertation that examines the problem of genre in Brahms’s song collections.

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