Tag Archive 'Arthur Greene'

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Arthur Greene:

“Today’s entry takes us into far more familiar Chopin territory. The Nocturne in E-flat, Op. 9 No. 2 comes from around 1830, -after Chopin had left Warsaw forever. But…

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Chopin Project Artistic Director Arthur Greene calls Chopin’s last nocturne a curious, but moving, work:

“It is rarely played.  Its absolute simplicity of texture may lead performers to experiment with ornamentation, but I believe that it is an expression of Chopin’s new…

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Smack-dab in the middle of Chopin’s Op. 25 Etudes lies this unique and memorable piece that is unlike any other Chopin creation. And one that has generated…

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The Waltz, c. 1806

Hear Artistic Director Arthur Greene play this brilliantly conceived Waltz in A-flat (Op. 42) live in a Chopin Project performance.

Chopinmusic calls it “the most ambitious and substantial of all Chopin’s waltzes.”

The Vancouver Chopin Society goes even further, quoting David Dubal…

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Arthur Greene plays
As Chopin Project Artistic Director Arthur Greene heads off to Novi Sad, Serbia, to judge and perform in the Isidor Bajic Memorial Competition, he leaves us a taste of his masterful Chopin interpretation with this performance of the Mazurka in C-sharp minor,…

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Ballade in G minor, Op. 23 In the previous post we discussed an all-time Chopin favorite, the Nocturne in E-flat, Op. 9, No. 2. What then, is left to say about another Chopin classic – this Ballade in G minor?Plenty, it would appear. There’s an extremely technical description…

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This is one of the last pieces that Chopin played in public. The excellent notes from the Los Angeles Philharmonic’s website set the stage:

When in 1846 Frederic Chopin (1810-1849) completed the Barcarolle, the last work of its relatively large size to…

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Chopin’s First Piece

rev_greene03.jpg “The very first piece on the program is a piece that Chopin wrote when he was seven years old. It’s very typical of the music that was being written at that time in Warsaw…a little Polonaise…with even a little virtuosic…

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The Chopin Project began as an ambitious live-concert-and-symposium series at the University of Michigan’s acclaimed School of Music, Theatre & Dance devoted to exploring the entirety of Fryderyk Chopin’s works for solo piano: Through a series of nine concerts at Britton Recital…

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