Eye on Poland: Country at the Crossroads

CNN – USA

Announcement of an in-depth five-part series on Chopin’s native land to air in October:

“Eye on Poland: Country at the Crossroads” is a week-long CNN International series focusing on the color and contrast of one of Europe’s fastest developing nations; from business and politics to pop culture. CNN offers a series of wide-ranging reports on this complex country tackling a time of transition; from Warsaw to Sopot, to Gdansk, Krakow and Lodz.

Solidarity Avenue, the Chopin Monument, and the Palace of Culture and Science are just some of the backdrops for CNN’s live broadcasts during a week of programming hosted from Warsaw by Fionnuala Sweeney.

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How the classical concert took shape.

New Yorker – United States

The publication of two new books tracing the history of concert manners prompts the latest column from critic Alex Ross:

The audience sometimes participated without any prompting from the stage. Once, when Liszt was beginning a performance of the “Kreutzer” Sonata with the violinist Lambert Massart, listeners began calling out “Robert le Diable!”—meaning that they wished to hear instead Liszt’s fantasy on themes from the Meyerbeer opera. Liszt acceded to the demand and launched into his “Robert” fantasy. Imagine what would happen today if, just as Maurizio Pollini was playing the first of Chopin’s Études, concertgoers were to shout, “ ‘Claire de Lune’! ‘Claire de Lune’!”

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Prom 60: Lang Lang/Marc Yu at the Albert Hall/Radio 3

Times Online – UK

The Chinese superstar teams up with the 9-year old “Little Mozart” for a recital at the Royal Albert Hall; London critic suggests the “Little Mozart” deserves a better mentor….

As for Lang Lang, the remainder of his glitzy recital encompassed the full range of his freewheeling brilliance and completely infuriating mannerisms.

When it worked, it was tender, supple and, even in the cavernous Royal Albert Hall, surprisingly intimate.

Mozart’s Piano Sonata in B Flat Major unfolded with dream-like spontaneity.

Two thunderous Rachmaninov preludes, by contrast, were as bold and invigorating as a shot of double espresso. But, frothed into a gilded soufflé, Chopin’s Andante Spiniato and Grande Polonaise can have seldom sounded so empty.

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Bank commercial angers political party

Thenews.pl – Warsaw,Poland

Thin skin in Polish politics, and Chopin supplies the soundtrack…

Opposition politicians are outraged at a TV commercial, complaining that a bank manager character is clearly an attack on President Lech Kaczynski.

The politicians from the Law and Justice party think that well-known actor Marek Kondrat was parodying President Lech Kaczynski in a spoof address to the nation. Although the commercial for a leading bank appeared on television only last weekend, it is already hugely popular on the internet.

The commercial shows the actor delivering an address to the nation, accompanied by music by Fryderyk Chopin and with patriotic flags in the background.

Many see it as a spoof of the president’s address to the nation, which caused some controversy in March.

“Fellow countrymen: everything is better. And it’s going to be even better… than it is. The European Union already feels our hot breath on its affluent back. Our food has already outdistanced their food. For example…our sausage… The time has come to say: let’s enrich ourselves,” says actor Kondrat in the commercial.

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(On the subject of Polish Bank Commercials: Check out this John Cleese Video:)

John Cleese – Polish Bank Commercial (sorry, no Chopin)

Free sheet music from Mutopia Project

WalletPop – VA,USA

The MuTopia Project comes to the attention of a US blogger:

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How did Chopin die? It matters
The popular image is of Chopin as a frail consumptive – we should be given the chance to find out whether this is true.
Guardian Unlimited: Arts blog – music – http://blogs.guardian.co.uk/music/

An thought-provoking column by the Guardian’s music critic, who argues that Chopin’s heart is worth a scientific investigation.   Worth a read.

…..It’s all about his heart: after his death in Paris in 1849 (he left Warsaw in 1830, never to return, thanks to political and social upheaval), the composer’s will stipulated that his heart should be returned to Warsaw. His sister, Ludwika, came back to Poland, with Chopin’s most vital organ pickled in a jar of cognac. This ghoulish cocktail was buried in one of the pillars of the Holy Cross Church, in Warsaw’s old town – the first on the left as you go in to the church’s rather austere interior, in fact, and it’s marked with a plaque, and a mandatory group of tourists having their photo taken; at least it was when I was there earlier this year.

The Polish government is refusing to allow this holy of holies of Polish music to be removed from its resting place (usually, to say of a composer that their heart is in their homeland would be no more than metaphorical whimsy; with Chopin, it’s literally true). However, the scientists are trying to prove something genuinely important: this isn’t the same as trying to find out if a lock of hair really was Beethoven’s or Brahms’s, or if some random 18th-century skull actually did house Mozart’s grey matter. What they want to do is to take a sample of the heart to show that Chopin suffered from cystic fibrosis. His symptoms – his physical frailty, his difficulty breathing, and periods of exhaustion – have always been assumed to be down to tuberculosis. But if it was the genetically acquired cystic fibrosis instead, then we’d have to rethink the notion of Chopin dying from the Romantics’ favourite disease, consumption….

There’s more. Virtually the entire reception history of Chopin, his music and his biography, is seen through the frame of his supposed physical weakness, whether it’s the image of him as effete saloniste, or a performance practice that has stressed the lyrical intimacy of his works rather than their structural integrity…..But his music, instead of merely reflecting his sickliness or the way he succumbed to his physical frailty, is heroic: not just in the way he created a whole new approach to playing and composing for the piano, but also because his creativity transcended the hardships of his life.