Acclaimed Chopin Project pianist Svetlana Smolina will play Chopin’s Twenty-four Preludes, Op. 28 as part of her performance tomorrow at 4:30PM (Friday, March 5th) at the Winter Garden main stage in New York’s World Financial Center. Ms Smolina is among the virtuosi performing in the 200 hour Wall Street marathon celebrating the 200th anniversary of Chopin’s birth.

Chopin once wrote, “When one does a thing, it appears good, otherwise one would not write it. Only later comes reflection, and one discards or accepts the thing. Time is the best censor, and patience a most excellent teacher.”Upon further reflection, Chopin must have realized that this Waltz was an all-time keeper, a favorite of piano virtuosos and amateurs alike since Chopin’s own time. It was a notable favorite of Artur Rubinstein. In fact, the Chopin.Net site has a nice anecdote about Rubinstein:

When people asked him how he could continue to play the same waltz for over 75 years, he replied, “Because it’s not the same, and I don’t play it the same way.”

• Download sheetmusic for Waltz in C-sharp Minor, Op. 64, No. 2 by Fryderyk Chopin
• Download Easy to play sheetmusic for Waltz in C-sharp Minor, Op. 64, No. 2 by Fryderyk Chopin

Chopin News, Reviews, and Previews:

A Souvenir From Vladimir Horowitz
New York Sun – United States

A just-released “souvenir” CD from “one of the great uneven performers in all history” Vladimir Horowitz’s very last recital (from June of 1987) hits its highest points with Chopin: “The event took place in Hamburg, allowing the record label, Deutsche Grammophon, to call the album “Horowitz in Hamburg.” A little alliteration is always appreciated.”

We then have a Chopin mazurka, the one in B minor, Op. 33, No. 4 — and Horowitz plays it with perfect rhythmic sense. The bend and snap of that thing are amazing. He plays it very purely, too, with complete refinement.

In this piece — on this track — Horowitz is in total control of his fingers. There is no old-man faltering.

He ends the printed program with Chopin’s “Heroic” Polonaise — so often associated with Rubinstein, but played for decades by Horowitz, too.

Does Horowitz have enough technique — in 1987 — to get through it? Yes. And he summons up plenty of charisma. Or rather, he doesn’t summon it up: It simply flows from him, naturally.

See all stories on this topic

Discovering Poland’s heritage at St James Cavalier
Malta Independent Online – Malta

If there’s Polish culture on display in Malta, Chopin cannot be far from the picture….

A piano recital by the pianist Pawel Mazurkiewicz from Poland preceded the opening of the exhibition. He performed works by Bach, Chopin, Scriabin, Grieg, Gershwin and Debussy.

Prizewinner of the prestigious Swiss music prize, Prix Credit Suisse – Jeunes Solistes 2003, Pawel Mazurkiewicz was born in Warsaw and graduated with distinction from the Frederic Chopin Academy of Music in Warsaw in 2000. In 2004 he graduated also with distinction and with Eduard Tschumi Music Prize from the University of Arts in Bern. He is currently assistant professor of the Piano class at the University of Arts in Bern, Switzerland. He has started composing, arranging and performing jazz music as an addition to his classical repertoire…
See all stories on this topic

Chopin in the Blogosphere:

My favourite Chopin recordings
By Stephanie Delacey

A nice post that’s both entertaining, and well-researched, with audio to boot: “Here are my top ten Chopin recordings (all, interestingly enough, historical recordings made more than fifty years ago…):” In the Top 10: Dinu Lipatti, Solomon, Alfred Cortot, and even Percy Grainger…

…
Stephanie’s Pillowbook – http://pillowbook.co.uk

When in 1846 Frederic Chopin (1810-1849) completed the Barcarolle, the last work of its relatively large size to come from his pen, he was already laid low by the fatal illness that three years later would take his life. He must have had deep affection for the piece, for he included it on the program of a concert he gave in Paris, February 16, 1848, his last appearance in his loved adopted city. Reports of the event tell of this physically depleted man unable to play much above the level of pianissimo even in the Barcarolle’s most expansive sections, a depressing experience for his many friends in the audience.The Barcarolle is the single work of its type in his catalog, which is not surprising considering the limitations imposed by the necessity to maintain a “boat” accompaniment and to invent suitably artless – gondoliere – melodies. In light of these specific guidelines, Chopin has created a composition of remarkable continuity and diversity having, in this temperate context, unexpected dramatic intensity in a soaring climax. (Sudden storm on the Venice canal?) Read more of the notes here.

The Vancouver Chopin Society also has an interesting perspective of the performance challenges of this piece, along with some recording recommendations:

“…It has been the despair of many fine artists, being difficult to interpret successfully. It is easy to sound affected, as does [Claudio] Arrau, or nervous, as does [Vladimir] Horowitz, or too plain, as did [Walter] Gieseking. Chopin must have been its ideal interpreter… The Barcarolle displays Chopin’s ornamental genius in full bloom. Ravel wrote, “Chopin was not content merely to revolutionize piano technique. His figurations are inspired. Through his brilliant passages one perceives profound, enchanting harmonies. Always there is the hidden meaning which is translated into poetry of intense despair. . . . The Barcarolle is the synthesis of the expressive and sumptuous art of this great Slav.”

Hear Maxim Mogilevsky perform Chopin’s Barcarolle in F-sharp minor, Op. 60

Read the Wikipedia definition of Barcarolle
Find more recordings
More publishing information

• Listen to Barcarolle in F-sharp minor, Op. 60 by Fryderyk Chopin
• Download sheetmusic for Barcarolle in F-sharp minor, Op. 60 by Fryderyk Chopin